Classic video from the old days. A band from Liverpool (fastest band back then) covering ANAL CUNT.
Greetings to Seth.
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There’s nothing I could write about the BAD BRAINS that you didn’t already know. Everything (and I mean everything) the band laid hand on before “I against I” turned into solid gold. All the controversy the band stirred, the boring records, the idiotic statements that followed the bands course couldn’t even scratch the surface of the phenomenal “ROIR Tape”, the “Rock for Light” album or the unearthly “Black Dots” session.
“Pay to cum” might be one of the few Punk songs that appeals to almost anybody. I think it’s because of the power and drive so overwhelming. This is the best version of the song, although I haven’t heard the obscure alternate take that originally appeared on a laquer-disk only version of this 7″. “Stay to close to me” is a catchy song, especially the middle part, which breaks out of the Reggae/Dub scheme a bit and adds that special flavor.
This comes from the 1989 japanese counterfeit bootleg version. I once held the original first press with cover in my hands in a small record store in San Francisco’s Polk St. in ‘86. It cost something like 20$. I thought it was too much cause I already had “Pay to cum” on the “New York T(h)rash” cassette. Yeah, don’t tell me …. these days, I’d cum to pay …..
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Tough Punk from Holland, leaning towards the Hardcore side. ZMIV also had three tracks on the mandatory second “Als je haar maar goed Zit” comp. LP, but these songs were really really weak. It’s like the guitar wanking, which fits perfectly on this EP and is still very moderate, got totally out of hand.
But on this very hard to find EP, you’ll get the full dose, including really dumb lyrics: You’ll be able to make out most of “Lay down” yourself. “Wir haben es nicht gewusst” (”We didn’t know it” - one of the most heard phrases coming from Germans after World War 2, in face of the horrors of the concentration camps) compares the death of one rioter in Germany (got rolled over by a cop car) to the 6 millions in the camps - only Punks can get so fucking dumb. I guess you have to be dumb to make really great, wild, primitive music.
Don’t feel like writing more at the moment, but since there seems to be a decrease in the readers commenting, I guess it’s just fair. Yeah, Peter from KBD Records had posted a few songs of this before and there’s an official repress with a dramatically ugly cover. You should however order it, I think, because I like the idea of people doing things I told them to do.
The original track list is a bit messy: I corrected it, putting the songs in actual order in which they’re listed on the labels, I think that is how they were intended to be arranged.
Lay down.mp3
Alive.mp3
Why.mp3
Wir haben es nicht gewusst.mp3
Fame.mp3
Beware.mp3
G.B.C.mp3
Every decent blog has got to have his share of POISON IDEA and although I had mine already (here and here), here’s some more. I have absolutely no idea whether this has been re-released or not and candidly spoken: I don’t care, cuz this is a smasher of a (double) 7″!
POISON IDEA who never liked the idea of other people putting out their music (sorry ’bout this, guys!) had a strict policy concerning bootlegs: They responded immediately to them by officially re-releasing the material in demand. First practiced here with: When some german fellow decided to put the band’s rare cassette-only “Plastic Bomb” demo onto vinyl, POISON IDEA were quick to release this double 7″ with additional material and in superior sound quality.
So first, we have “Plastic Bomb” in the demo version. You’ll notice the different lead part in the ouverture (the final version on “Feel the Darkness” had straightened this out), but apart from that, this version totally kills, especially the twin guitar part in the solo which makes one think of Judas Priest a bit, doesn’t it? On the flip, the cover round starts, they rip through the prevously released (on the SubPop 7″) “We got the Beat”. The Go-Go’s original is a neat song, but POISON IDEA totally destroy it with this monster. One of the band’s high-lights, no doubt! Then (and I couldn’t believe my eyes when I first saw this), the band who had brought you “I hate Reggae” in 1983, delivers Jimmy Cliff’s “The harder they come”. And I shall be damned if this is not a great version! “Lawdy Miss Clawdy” was a song originally written by Lloyd Price in the early 50s, but made famous by Elvis. I think that the POISON IDEA version does the song no justice at all (it’s got a lot of atmosphere and tension in both Price’s and Elvis’ versions). POSION IDEA’s cover versions did not always work, another example would be the band’s attempt to catch the vibe of G.I.S.M. in which they miserably failed too. So be it.
Plastic Bomb.mp3
We got the Beat.mp3
Harder they come.mp3
Lawdy, Miss Clawdy.mp3
This 5 tracker of Chicago’s RIGHTS OF THE ACCUSED is not a record, it’s a fucking vitamin pill and one day before the annual mayday riots here in Surrick, this might be the best I can post! Listen to the drum sound here - it will make you flip out, I guarantee. Especially the middle part in the first song “Faith”, after the short break, when the bass drum kicks in, man - this absolutely destroys me whenever I put this on. Hardcore Thrash of the finest sort!
Can’t tell you much about the history of the band. RIGHTS OF THE ACCUSED were also featured (among others) on the two classic tape comps MEATHOUSE and EMPTY SKULLS, they had tracks on MIDDLE OF AMERICA and had recorded 2 demo tapes (from which the earlier comp tracks were taken) prior to this masterpiece. Unfortunately, the band went through some weird musical metamorphosis in the next three years, so when an LP was released in 1987, it was a total letdown (haven’t heard it since, but I’m pretty sure it still sucks the big one). Haven’t any of the numerous other releases, but RIGHTS OF THE ACCUSED have a myspace site which you can find here.
This must be the most precious of all my records cuz when you ordered it from the band directly, it came with a one million $ bill: 
And here is one of the other two inserts as well (the poster is too big for me scanner, sorry):
Quick now, download and destroy!
Faith.mp3
Hypocrite.mp3
In School.mp3
Innocence.mp3
What I learned today.mp3
This may not stand the test of time as gloriously as, say, BLITZKRIEG, although SWEET SAVAGE used to be one of the top underground bands of the NWOBHM. In fact, when you now compare this rocking and rolling two-tracker with heavier bands of the era, it’s quite obvious why we originally called such bands “Heavy Rock”. Except for some interesting breaks and bits in “Killing Time” (later covered by METALLICA), this is almost typical Pub Rock (or as Peter would love to have it called: Pubes Rock), except for the powerful singing maybe. I can’t really say whether this is good, bad or good bad music, but “Killing Time” sure is the better of the two tracks.
I used to hold strong resentment against SWEET SAVAGE in the early 80s. It wasn’t the music really - to tell the truth, it was because of the two guys on the left of the cover and their nasty grin. I mean looking at them still maddens me and I tend to believe people like these might have ruined my youth more than no sex, no drugs and no god.
I used to have the 2nd 7″ as well, but I can’t really remember how it sounded. But the tracks from the BBC session (partially used for the “Friday Rock Show”) were a bit darker and heavier than this first 7″.
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Finally, Dave Phillips‘ “The Hermeneutics of Fear Of God” is available again!
What can I say? Of all the “extreme” music I heard in my life, from poststructural noise to Grindcore, from Death Metal to Hardcore Thrash, this has got got to be the most vicious, aggressive and torturing record that I know. Dave obsessively inspected, dissected, turned around and reassembled the sonic remains of our old band FEAR OF GOD and thus created a bastard noise version of it that leaves me breathless still. One seriously wonders with which results the same method would twist, revolt other already “extreme” sounding music and we can only hope for Dave Phillips, the modern day Frankenstein, to lay more corpses on his experimental scaffolds, cutting and stitching and pestering them, thus deliberately creating more bastards to haunt our nights (when reason is put to sleep).
Read more here and here and order the expanded vinyl version (58 songs, 500 made only, 100 on colored vinyl) or the CD version (Digipack, 61 songs plus a short but lovely bonus Video) from Absurd Records (greetings to Marcelo!). As you can see, the minimalistic but affectionately done LP comes with insert (not visible on the photos), stamped innersleeve and sticker.
Some song samples (more here):
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Boston’s DEATHWISH recorded a demo tape in December of 1983 that stayed widely obscured even in the tape trader circuit until three of the songs saw the light of day in 1989 on this piece of vinyl – at the climax of the first post-Hardcore wave that swept all the gym clowns into the old structures.
This is state of the art in-your-face Hardcore. Recorded at Radiobeat Studios, the three songs rip and roar, much in the vein of “My America” era F.U.’s or a little tamed “Is this my World?” JERYY’S KIDS. One of the two guitarists was Jordan Wood, who in 1985 formed SLAPSHOT together with Choke (NEGATIVE FX, LAST RIGHTS) and who commited suicide a few years ago.
Of course, with a press run of a meager 300 copies, this became an instant collectors item (I think I got this from Seth Putnam who is a very generous bloke and occasionally sent me packages with newly released records he thought I might like). No wonder, Lost & Found Records pressed its own bootleg version of “Tailgate” in the mid 90s.
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Of the many Boston area Hardcore bands of the 80s, PTL KLUB is one of the nearly forgotten. Why is that? Ever since the bands first vinyl release (the “13 Commandments” LP), I enjoyed the ferociousness and jockorama aggression. Maybe the group just picked the wrong label (Mystic), maybe they played the unity game too little. Certainly the band had the misfortune to be active in the time the original HC declined rapidly. Had these records been released 2 years earlier or maybe 15 years later, they’d gotten a bit more attention.
This EP starts off with its highlight, a great cover version of Jefferson Airplane’s “White Rabbit” and it closes with the next best song, “Living Death”. In between we have four more pretty intense thrashers. Maybe it’s nothing spectacular, but this is the kind of stuff that still moves me from time to time, cause it’s so high on energy. PTL KLUB’s best release however is the 1987 EP “Nobody care anymore”, which also became the band’s swansong. I would guess it’s pretty safe to say you’ll be hearing that one too, sometime.
White Rabbit.mp3
What’s wrong.mp3
Sea of Hate.mp3
Hey Harry.mp3
Want you Baby.mp3
Living Death.mp3
Here’s one record that’s particularly hard to find and that caused a bit of confusion among friends of good bad and good and bad music in the times before internet. Maybe it was us youngsters in the 80s only that didn’t know of the two british bands by the name of DISCHARGE, but I remember many talks and guessings on how that split 7″ would sound that was listed in the Volume discography and appeared on many want lists. I also seem to remember how some folks kept saying it was DISCHARGE who first came up with the term “Hardcore Punk” and I’m pretty sure that they meant the well known DISCHARGE from Stoke-on-Tent. I never spent much time on the question who coined the Hardcore term and I don’t really care too much, but it would seem to me that those who connected the invention of it to DISCHARGE most likey meant the wrong DISCHARGE. At least, this DISCHARGE here was the first to have a song with the unbeatable title “Hardcore Punx”. However, I wasn’t able to locate this single until the early eBay days, when you could get things for moderate prices. I sold my copy of the split 7″ about ten years ago for quite a bit of money, but made a decent cassette copy of it. The xeroxes of the inserts have gone missing along the way. This ‘CHARGE (haha) came from Middlesbrough, located not too far from Stoke-on-Trent, in the north-east.
The little we know about them and this split 7″ has been carefully compiled by Dizzy from Detour Records, whom I’d like to thank for giving his permission to use the scans you see here. The band first went by the formidable name of “Squelch Vaginas”, formed in 1978. In the same year, they altered it to DISCHARGE. It seems like DISCHARGE stired up quite some shit in their short existence or how the TPA fanzine put it in its 1979 issue: “The only band to have gone from crap to great and back to crap again in only two months”. So here ends our story: DISCHARGE folded by early 1980, not before releasing this split single.
The other side has THE FILTH of whom even less is known. The same fanzine TPA had a bit on them in which a fight between fans of THE FILTH and some other band took place. Or so: “Three people were seen shouting and the Police got involved”, haha. Both bands deliver the same great amateurish Punk with extra hot sauce. Couldn’t say which one I like more, but THE FILTH’s “Rise of the Mods” song is a hit: “The Rise of the Mods is here today, at least that’s what the morons say”.
Especially the FILTH side has quite some surface noise, but I love this, it just suits the music fine. There’s a short dropout during the first DISCHARGE song. These two songs have been featured on Vol.1 of “Bored Teenagers” and I guess you better try and get yourself one of these (and all the other volumes at that) in order to (hopefully, haven’t heard it) get the song flawless.
DISCHARGE Side:
Anytown.mp3
Hardcore Punx.mp3
THE FILTH Side:
Freedom.mp3
Rise of the Mods.mp3
Blue Law.mp3