<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
	xmlns:media="http://search.yahoo.com/mrss/"
	>
<channel>
	<title>Comments on: IRON MAIDEN- Live at the Beat Club / Bremen, Germany, April 1981</title>
	<atom:link href="http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/</link>
	<description>:::   It&#039;s only Rock&#039;n&#039;Roll, but it likes me!   :::   All rips handmade from original vinyl. Now go and buy the music!   :::   Established in 2006   :::   Bringing you the best of Punk, Hardcore and Metal from the 70s and 80s.   :::</description>
	<lastBuildDate>Tue, 07 Feb 2012 19:25:24 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
	<item>
		<title>By: Diego</title>
		<link>http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/comment-page-1/#comment-19860</link>
		<dc:creator>Diego</dc:creator>
		<pubDate>Thu, 09 Jul 2009 02:45:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.goodbadmusic.com/?p=2324#comment-19860</guid>
		<description>All those comments on the spiritual/political aspects of metal basically verbalized all the reflections and ruminations that have been circling my head for weeks now. I was taking a long walk listening to &quot;Killers&quot; the other day and I thought, &quot;this is really all I need in life.&quot; I can&#039;t remember if that thought came for that album or &quot;Iron Fist&quot; but it was one of those, same basic ethos for me. 

What I really came to post though, was that I couldn&#039;t help be reminded of Michael Jackson in some shots of DiAnno in this video, haha.</description>
		<content:encoded><![CDATA[<p>All those comments on the spiritual/political aspects of metal basically verbalized all the reflections and ruminations that have been circling my head for weeks now. I was taking a long walk listening to &#8220;Killers&#8221; the other day and I thought, &#8220;this is really all I need in life.&#8221; I can&#8217;t remember if that thought came for that album or &#8220;Iron Fist&#8221; but it was one of those, same basic ethos for me. </p>
<p>What I really came to post though, was that I couldn&#8217;t help be reminded of Michael Jackson in some shots of DiAnno in this video, haha.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Bonnie</title>
		<link>http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/comment-page-1/#comment-19800</link>
		<dc:creator>Bonnie</dc:creator>
		<pubDate>Sat, 04 Jul 2009 10:53:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.goodbadmusic.com/?p=2324#comment-19800</guid>
		<description>Very very interesting reading, thanks to all!</description>
		<content:encoded><![CDATA[<p>Very very interesting reading, thanks to all!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: sleepless bob</title>
		<link>http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/comment-page-1/#comment-19761</link>
		<dc:creator>sleepless bob</dc:creator>
		<pubDate>Thu, 02 Jul 2009 19:15:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.goodbadmusic.com/?p=2324#comment-19761</guid>
		<description>GBM has the highest rate of brainpower I&#039;ve seen on any MetalPunkHc blog!</description>
		<content:encoded><![CDATA[<p>GBM has the highest rate of brainpower I&#8217;ve seen on any MetalPunkHc blog!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Admin</title>
		<link>http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/comment-page-1/#comment-19760</link>
		<dc:creator>Admin</dc:creator>
		<pubDate>Thu, 02 Jul 2009 18:58:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.goodbadmusic.com/?p=2324#comment-19760</guid>
		<description>Just a quick note, WTT and Ryan: Whenever I&#039;m having doubts about continuing this blog, inputs like yours especially make me believe we&#039;re really having something going on this blog. You guys commenting make it work!</description>
		<content:encoded><![CDATA[<p>Just a quick note, WTT and Ryan: Whenever I&#8217;m having doubts about continuing this blog, inputs like yours especially make me believe we&#8217;re really having something going on this blog. You guys commenting make it work!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: What's the Truth?</title>
		<link>http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/comment-page-1/#comment-19758</link>
		<dc:creator>What's the Truth?</dc:creator>
		<pubDate>Thu, 02 Jul 2009 18:46:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.goodbadmusic.com/?p=2324#comment-19758</guid>
		<description>Interesting points, Ryan.

I think even early stuff like Sabbath and Priest had a working-class ethic they drew from their predecessors and their own backgrounds, and this came with a certain pseudo-political ethic, at least as far as authority figures were concerned. I also think the earliest metal bands appropriated some, though not all, of the politics of the hippie-associated bands from which they derived part of their aesthetic (I&#039;m thinking of songs like Sabbath&#039;s Children of the Grave and it&#039;s hippie-ish lyrics (&quot;show the world that love is still alive&quot;). Some of this stuff seems to mesh well with the political side of punk, which I imagine is partially responsible for thrash metal&#039;s political side.

On the other hand, I think some some metal was ripe for association with the right wing from earlier days. A lot of metal that privileges themes related to fascism or nationalism, with metaphors or imagery of blood, &quot;brotherhood,&quot; royalty, tradition, nobility, romanticism and glorified war are all things that lend themselves pretty easily to right wing appropriation in my opinion.</description>
		<content:encoded><![CDATA[<p>Interesting points, Ryan.</p>
<p>I think even early stuff like Sabbath and Priest had a working-class ethic they drew from their predecessors and their own backgrounds, and this came with a certain pseudo-political ethic, at least as far as authority figures were concerned. I also think the earliest metal bands appropriated some, though not all, of the politics of the hippie-associated bands from which they derived part of their aesthetic (I&#8217;m thinking of songs like Sabbath&#8217;s Children of the Grave and it&#8217;s hippie-ish lyrics (&#8220;show the world that love is still alive&#8221;). Some of this stuff seems to mesh well with the political side of punk, which I imagine is partially responsible for thrash metal&#8217;s political side.</p>
<p>On the other hand, I think some some metal was ripe for association with the right wing from earlier days. A lot of metal that privileges themes related to fascism or nationalism, with metaphors or imagery of blood, &#8220;brotherhood,&#8221; royalty, tradition, nobility, romanticism and glorified war are all things that lend themselves pretty easily to right wing appropriation in my opinion.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Ryan</title>
		<link>http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/comment-page-1/#comment-19756</link>
		<dc:creator>Ryan</dc:creator>
		<pubDate>Thu, 02 Jul 2009 15:41:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.goodbadmusic.com/?p=2324#comment-19756</guid>
		<description>Thanks for the explanation, both of you.

I suppose that kind of unspoken politics only really applies to heavy metal (the style itself, not the catch-all). Overt politics seemed to become more prevalent post-NWOBHM (though a band like Sledgehammer certainly had what I would call overtly political lyrics). Thrash metal bands often had at least a few songs with populist or left-leaning lyrics (with any sort of right-wing in metal being a complete outlier at the time). Then in the &#039;90s black metal bands started embracing right-wing politics as part of their &quot;total hate&quot; imagery and then organized rightist movements seized the opportunity to step in and use metal as a recruiting tool. Right-wing apologism and outright fascism or racism is rampant in the metal scene, much to my dismay.</description>
		<content:encoded><![CDATA[<p>Thanks for the explanation, both of you.</p>
<p>I suppose that kind of unspoken politics only really applies to heavy metal (the style itself, not the catch-all). Overt politics seemed to become more prevalent post-NWOBHM (though a band like Sledgehammer certainly had what I would call overtly political lyrics). Thrash metal bands often had at least a few songs with populist or left-leaning lyrics (with any sort of right-wing in metal being a complete outlier at the time). Then in the &#8217;90s black metal bands started embracing right-wing politics as part of their &#8220;total hate&#8221; imagery and then organized rightist movements seized the opportunity to step in and use metal as a recruiting tool. Right-wing apologism and outright fascism or racism is rampant in the metal scene, much to my dismay.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Admin</title>
		<link>http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/comment-page-1/#comment-19749</link>
		<dc:creator>Admin</dc:creator>
		<pubDate>Thu, 02 Jul 2009 08:59:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.goodbadmusic.com/?p=2324#comment-19749</guid>
		<description>I think WTT has put it much better into words than I could. As for the &quot;political movement&quot; part: It just struck me that the obvious non-presence of political slogans and concepts in Heavy Metal clashes so strongly with a repressive police state in the example of a Iron Maiden concert in Colombia (to be seen in &quot;Flight 666&quot;). In the end, the masses are gahtered in front of the stage and some of them crying in joy. It seemed like the culmination point into a battle against politics of power, a way of trying to achieve a small spot that is &quot;open&quot; and free from a certain type of power (pouvoir). The non-verbalization of political ideologies (like in some Punk and HC) is what impressed me. Instead, it seemed like a &quot;spiritual&quot; form of a political technique that pushes politics of the state back.</description>
		<content:encoded><![CDATA[<p>I think WTT has put it much better into words than I could. As for the &#8220;political movement&#8221; part: It just struck me that the obvious non-presence of political slogans and concepts in Heavy Metal clashes so strongly with a repressive police state in the example of a Iron Maiden concert in Colombia (to be seen in &#8220;Flight 666&#8243;). In the end, the masses are gahtered in front of the stage and some of them crying in joy. It seemed like the culmination point into a battle against politics of power, a way of trying to achieve a small spot that is &#8220;open&#8221; and free from a certain type of power (pouvoir). The non-verbalization of political ideologies (like in some Punk and HC) is what impressed me. Instead, it seemed like a &#8220;spiritual&#8221; form of a political technique that pushes politics of the state back.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: What's the Truth?</title>
		<link>http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/comment-page-1/#comment-19746</link>
		<dc:creator>What's the Truth?</dc:creator>
		<pubDate>Thu, 02 Jul 2009 00:00:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.goodbadmusic.com/?p=2324#comment-19746</guid>
		<description>Ryan: If I remember, Erich doesn&#039;t read Foucault in English. In English, as I understand it, Foucault himself doesn&#039;t really distinguish between the terms &quot;technique&quot; and &quot;technology&quot; until the lectures titled &quot;Security, Territory, Population,&quot; where he defines the former as smaller-scale components of the latter, which is generally a set of practices/techniques organized towards a specific goal. So a technology of the self might be a religion, or something like &quot;heavy metal,&quot; a set of practices that has the effect of transforming or producing a new self-understanding/identity for you by acting on your body and mind. Another example might be meditation, which might be a technique, as part of say, monastic Buddhism, which is a technology of the self, because it&#039;s a total lifestyle filled with different practices/techniques, including a dietary regimen, reading specific texts, following a particular ethical code, etc. that transforms your self (mind and body) to conform to whatever the spiritual ideal might be. 

I&#039;m sure Erich can explain the concept better than I can, though, so please take my input with a grain of salt.

Also, I think there is a touch of humor to Erich calling metal a &quot;deeply political movement,&quot; unlike punk, and it&#039;s one that I appreciate...plus I think it&#039;s true! Punk does not seem to coalesce into massive, organic structures in the same way that metal does, for whatever reason.</description>
		<content:encoded><![CDATA[<p>Ryan: If I remember, Erich doesn&#8217;t read Foucault in English. In English, as I understand it, Foucault himself doesn&#8217;t really distinguish between the terms &#8220;technique&#8221; and &#8220;technology&#8221; until the lectures titled &#8220;Security, Territory, Population,&#8221; where he defines the former as smaller-scale components of the latter, which is generally a set of practices/techniques organized towards a specific goal. So a technology of the self might be a religion, or something like &#8220;heavy metal,&#8221; a set of practices that has the effect of transforming or producing a new self-understanding/identity for you by acting on your body and mind. Another example might be meditation, which might be a technique, as part of say, monastic Buddhism, which is a technology of the self, because it&#8217;s a total lifestyle filled with different practices/techniques, including a dietary regimen, reading specific texts, following a particular ethical code, etc. that transforms your self (mind and body) to conform to whatever the spiritual ideal might be. </p>
<p>I&#8217;m sure Erich can explain the concept better than I can, though, so please take my input with a grain of salt.</p>
<p>Also, I think there is a touch of humor to Erich calling metal a &#8220;deeply political movement,&#8221; unlike punk, and it&#8217;s one that I appreciate&#8230;plus I think it&#8217;s true! Punk does not seem to coalesce into massive, organic structures in the same way that metal does, for whatever reason.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Garcia X</title>
		<link>http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/comment-page-1/#comment-19744</link>
		<dc:creator>Garcia X</dc:creator>
		<pubDate>Wed, 01 Jul 2009 20:48:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.goodbadmusic.com/?p=2324#comment-19744</guid>
		<description>@bob dude the 80s sucked if you were a teenager and so did maiden btw</description>
		<content:encoded><![CDATA[<p>@bob dude the 80s sucked if you were a teenager and so did maiden btw</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Ryan</title>
		<link>http://www.goodbadmusic.com/2009/06/29/iron-maiden-live-at-the-beat-club-bremen-germany-april-1981/comment-page-1/#comment-19743</link>
		<dc:creator>Ryan</dc:creator>
		<pubDate>Wed, 01 Jul 2009 18:55:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.goodbadmusic.com/?p=2324#comment-19743</guid>
		<description>Now I have a convenient, relevant post in which to ask two questions:
1. What do you mean by &quot;technique of the self&quot;? I looked it up and found it seems to be more commonly referred to as &quot;technology of the self&quot; (though maybe that&#039;s a different concept and I was misled) and many of the explanations I found didn&#039;t make much sense.
2. Do you mind elaborating of how heavy metal is a &quot;deeply political movement&quot; if the answer is not included in any possible response to my first question?</description>
		<content:encoded><![CDATA[<p>Now I have a convenient, relevant post in which to ask two questions:<br />
1. What do you mean by &#8220;technique of the self&#8221;? I looked it up and found it seems to be more commonly referred to as &#8220;technology of the self&#8221; (though maybe that&#8217;s a different concept and I was misled) and many of the explanations I found didn&#8217;t make much sense.<br />
2. Do you mind elaborating of how heavy metal is a &#8220;deeply political movement&#8221; if the answer is not included in any possible response to my first question?</p>
]]></content:encoded>
	</item>
</channel>
</rss>

