Good bad Music for bad, bad Times! / 2009 / April

DAYGLO ABORTIONS- Unreleased 7″EP (Canada, 1982)

dada_tapeWe’ve had a bit of a Metal thing going on here the last couple of weeks, so what could be better than keepin’ on surfing the same wave a bit longer, yet going Punk? The heaviest Punk band in the world: Canada’s DAYGLO ABORTIONS.

I got the demo from one of my penpals from Canada in the 80s (Jamie was his name, if memory serves). As you can see, the year of the recording couldn’t be verified, but I think it’s probable. [Edit: Read the comments section]. The first LP (“Out of the Womb”) was recorded in 1981 and the a-side of the followup (“Feed U.S.A. Fetus”) in 1985 and these songs do sound like something inbetween. As far as I remember, this tape was never officially released, it only served as a – yeah, a demo tape, to find the DAYGLOS a new label [Edit: Read the comments section]. (the first LP was selfproduced). It worked and FRINGE picked them up in 1985, as we all know.
What you you get to hear are rough and very aggressive earlier versions of some of the songs we learned to love, like “Bedtime Story” or “Proud to be a Canadian”. I’m not too familiar with what the DAYGLOWS released after the 2nd LP, but I think all of these songs appeared on later releases. A great document of one of the most exciting bands to ever grace this world with its presence.

If you happen to have more info, please share, will you. In the meantime, enjoy the FRENZY of the DAYGLOW ABORTIONS.

Bedtime Story.mp3
Let’s go rape the Cunt Brain.mp3
Whiter than Hitler.mp3
Proud to be a Canadian.mp3
Araargh, fuck, kill.mp3
Ronald McReagan.mp3
Nuclear Supremacy.mp3

Oh yes – if you want to return a favor, please somebody upload a good sounding version of the unreleased GENETIC CONTROL LP.

JAGUAR- Axe crazy, b/w War Machine 7″ (Neat Records, UK, 1982)

jaguar_axefront1jaguar_axebackOne of the undisputable landmarks of the New Wave of Brititsh Heavy Metal: Fast & furious, highly melodic and catchy as fuck – the second 7″ by JAGUAR. “Axe crazy” features speedy double bass action that predates most in the Speed / Thrash Metal genre. Totally like a sped up version of DIAMOND HEAD. Insane, this song, insane. Whenever I played this in the past 26 years that I knew it, it left me speechless. I played this 7″ so often that I totally ruined it. Had to buy me a spare copy recently. The flip, “War MAchine” is just as great, though it’s not as fast. I don’t know, but JAGUAR always created this heavy, thick atmosphere, kinda gloomy, so that every touching of the chords, every break sounds meaningful. You cannot top this, you simple can’t. This is one perfect, flawless, timeless 7″. For the band’s first 7″ and a bit more text, follow this link.

Garry Pepperd, Chris Lovell, Jeff Cox and Paul Merell – thank you forever and ever for this!

I would like to dedicate this especially to my friend Dave. I hope things will get better for you soon.

Axe crazy.mp3
War Machine.mp3

SAVAGE- The complete Discography 1981-1984

I’ve never done this before, but I feel it’s necessary. SAVAGE were one of the NWOBHM’s most influential bands and it’s a major shame that their material seems to be a bit difficult to get, even on CD. There’s been a bootleg CD of the first LP, with a horrible sound and I’m afraid to say that the official CD re-release doesn’t sound too convincing either, with its remastering. To my knowledge, this CD is currently not available. On the other hand, the original pressing of “Loose ‘n lethal” is pressed onto the usual cheap Ebony vinyl. They really could have spent a bit more money on quality mastering & pressing back in the day. But then again, who would have known these albums were made for eternity …..
I ripped the band’s entire vinyl output – except for the “Hyperactive” LP from 1985, simply because I don’t posess it and never heard it. As you can see and hear, the band wasn’t exactly the most productive group there ever was. They recorded and re-recorded the same songs again and and again, but in retrospect, I find it very interesting to hear the general course that the NWOBHM went through reflected in these tunes. They just got more and more focused, until in 1983, SAVAGE was the peak, before a quick downfall set in.

sceneofthecrime_frontsceneofthecrime_backThe first ever vinyl appearance of SAVAGE was on the legendary 1981 “Scene of the Crime” comp, issued on Suspect Records. Check the incredible cover art. this is one of the strongest visual links between the NWOBHM and the Punk scenes that I’m aware of. What would later be the, if you allow me to say so, archetypical SAVAGE song, “Let it loose”[.mp3] appeared in a slightly slower and milder version. I love it! The guitar sound is still tame, but the drumming is a bit more audible and overall, the song is arier. “Dirty Money”[.mp3] is also to be found here in an early version. I never liked the song too much.



metalfatigue_frontmetalfatigue_backThe next compilation appearance was on the 1982 “Metal Fatigue” sampler (on Eboy), of which I’d love to say it was a classic, but it wasn’t. SAVAGE contribution was “Ain’t no fit Place”[.mp3], which again can be heard on the first LP. This version here is totally great, really quiet and moody. So great!



savage_singleasavage_singlebLater in 1982, the time was ready for SAVAGE’s first stand-alone output: The 7″ on Ebony featured, you guessed it, two more songs that were later to be found on the album. “The China Run”[.mp3] and yet another killer version of “Ain’t no fit Place”.[mp3].
This 7″ was never issued with a picture sleeve. 500 or 1000 copies were pressed, according to my different sources. The single suffers from a weak production and the choice for the a-side wasn’t the best, I’d say.



savage_loose1savage_lose2“Loose ‘n lethal”, the LP released in mid 1983, is where it’s at. From a to z, this LP delivers nothing but brute force, combined with extremely memorable song writing. The first thing you will notice is the guitar sound: So raw, dirty and in your face! And the best thing is – they knew very well that this is the center stone in the band’s musical architecture, so they made the record start off with the incredible scrubbing, brushing of the guitar chords, the intro to the incredible title track “Let it loose”. When I brought this record, still warm from the pressing plant, to my friend’s place and played it for him, we both just sat on the corner of his bed, holding the album cover and saying: “Wow, the cover art suits the sound perfectly!”. And so I still think: The cold blue, the action, motion, speed and the violence – that’s all to be found in “Let it loose”, one of the most impresive songs ever cut into vinyl. From there on, it’s a tour de force, literally. “Cry Wolf” is another calibre of its own, with masses and masses of power. Even if the band is slowing down a bit or even leaning towards a slightly more balladesque sound, the energy level remains in the reds. Take “Berlin”: What a song! So melodic, catchy, full of tristesse and depth – and the guitars just add that extra bit of aggression that adds up to a truly unique, original sound. Especially “Berlin” is one of the highlights in the entire NWOBHM. It could sound cheesy, and it would, hadn’t there been the already beginning omnipresent escalation of musical aggression in 1983. Given that, it just turns into a dark, atmospheric and destructive almost-pop song (pop in terms of popular quality). Amazing, really amazing! The LP does have its lengths, I’d admit that. “Dirty Money” is not the greatest song, in any version and I’m not too sure about “White hot” either (which unfortunately closes the album). “Ain’t no fit Place” is another master piece, with much of a feeling of urgency pushing the song forward. “On the Rocks” suffers a tiny little bit from the chorus, but the rest is superb. “The China Run” rules alone because of the howling – I love howling singers. Another forceful, yet kinda depressing song on this monstrous album.

Download the entire “Loose ‘n lethal” LP here, carefully ripped from heavily played vinyl.



savage_edge1savage_edge2After this, a 3 song 12″EP was next. Unfortunately, the band took the wrong turn with this: Imagine, they had focused more on the thrash element – the band would have become “big”. But as we know, the NWOBHM laid the ground for the exploding Thrash Metal sound and bands like Metallica, Slayer or Exodus reaped the fruits. Isn’t it weird how the british bands almost entirely took thatwrong turn? It seems like the thrashier NWOBHM sounds were rather an accident in the eyes of those who created it.
The three songs on “We got the Edge” are okay. The title song, “We got the Edge”[.mp3] is the best, it evokes memories of the band’s glorious past. “Runnin’ scared”[.mp3] is really bad and “She don’t need you”[.mp3] is even worse, especially with the fake live audience (a bizarre phenomenon of 70s and 80s bands, even WITCHFINDER GENERAL among others stepped in this trap). Ludicrous. As is the backcover photo.




As soon as this material sees a proper reissue, make sure you buy it! In the meantime, original copies of the “Loose ‘n lethal” regularly pop up on ebay and won’t cost you a fortune. Same for the 12″. The 7″ is a bit harder to find, but still below the 40$ mark, I believe.
Make sure you download “Loose ‘n lethal”. You have to hear the guitar sound!


PS: I just realized that in fct, I do have the 2nd album as well. Must have bought it on ebay some day … That’s so typical for these ebay purchases: You buy a record and it just disappears in your collection. If there’s demand for it, I will add it.

DISGUST- Trash back! Demo Tape (SFP-Tapes, Holland, 1985)

disgust_demofrontdisgust_tape1DISGUST from Holland had released a demo tape prior to this and it never impressed me too much. But as soon as I found the 2nd demo in the mail, I was blown away, and upon playing it again recently, I was still very impressed. Very desperate sounding hectic and brutal Hardcore, much in the vein of PANDEMONIUM (with whom I think they shared band members) and Italian HC. The vocals and the fuzzy guitar are just perfect!
In late 1986 or early 1987, DISGUST also released a 7″EP, “The last Blast”. That’s great too, a bit more PANDEMONIUM sounding than this maybe, but still essential if you’re into this kind of thrash. They were also on the infamous “Babylon bleibt fahren” comp. LP and maybe some more of which Ican’t think right now.

Download the entire «Trash back» Demo by clicking here. The folder also contains the full cover scans.

RATTUS- WC Räjäthää 12″EP (Poko Rekords, Finland, 1982)

p4090003p4090004The only northern euro record that comes close (very close!) to the unbeaten glory of TERVEET KÄDET’s “Ääretön Joulu” 7″ EP. RATTUS released three 7″s and one so-so 12″EP prior to this slab. What can I say? This is so dry and brutal and sounds like the blueprint for so many bands that still copy this sound, somtimes with more, sometimes with less success. One of the essentials in Hardcore and one record that amazes me again and again and again. When digitizing this, I realized by looking at the waveforms, that the records immense impact does not come from a perfect mastering job (there could be done a lot here!). Next to the great recording and the professional engineering, it’s simply the musicianship of these four gentlemen. They play tight as my dad’s ass. The power of this exploding toilet (I think that’s the translation of the EP title) is overwhelming and the entire record is a tour de force, leaving you breathless.
The front cover was drawn by Pushead (as was the cover of the follow-up, a kinda weak 12er) and I think this was entirely re-released on that LP on NY based Rat Cage Records (the one with the skull sleeve – I never had that. Drop me a line if you happen to have a spare copy). From what a ultra quick internet research tells me, the entire Poko recordings from 1981-1984 have been re-released on a CD in 1994 already.

Download the entire WC RÄJÄTHÄÄ 12″EP by RATTUS here, ripped with utmost care from the original vinyl. The sound totally destroys!

UPRIGHT CITIZENS- Facts and Views 7″EP (Skvaller Records, Sweden, 1985)

uprightcitizens_frontuprightcitizens_backuprightcitizens_inner1uprightscitizens_inside2UPRIGHT CITIZENS from Germany were one of the first & major Euro Hardcore bands with an “american” sound. The bands first two releases, the incredible “Bombs of Peace” MiniLP and the great “Make the Future mine and yours” LP set new standards for Hardcore in Germany (and beyond): A clean, crisp sound, a tight rhythm section, english lyrics and a “metallic” guitar. To this day, UPRIGHT CITIZENS have not lost a bit of their grandezza and if their sound makes you think of bands such as SOCIAL DISTORTION or later TOXIC REASONS, I can only agree with that.

“Facts and Views” was released in Sweden. I have no information about this label and what else they did release. On this final EP however (at least it was the final UPRIGHT CITIZENS release that I know of), they got even better! The opener, “Dead Blood” is shockingly hooky and “Future Dreams” turns out to be a really beautiful, balladesque song which shows the band’s potential. Flip the record over and you have two re-doings: The anthemic “Bombs of Peace” from the same titled MiniLP and “Swatika Rats” which was on the 1983 LP and the legendary “Peace War” double album compilation (and on the “Beating the Meat” comp). “Right Way” is yet another hit – so catchy and clever. Why is that such bands often go nearly unnoticed of?!

This is Premium Hardcore – Gold Standard! I’m currently not aware of any legitimate reissues – please fill us all in. And make sure everybody you buy the first two 12inchers!

Dead Blood.mp3
Future Dreams.mp3
Bombs of Peace.mp3
Swastika Rats.mp3
Right Way.mp3

JAGUAR- Back Street Woman, b/w Chasing the Dragon 7″ (Heavy Metal Records, UK, 1981)

jaguar_firstfrontjaguar_firstbackjaguar_firstvinylajaguar_firstvinylbThere was this guy. Everybody just called him “Psycho” and he seemed to feel comfortable with the name given. Where it originated from, I did not know at first. A skinny geezer, always nervous, hectic, driven, always muttering his words, never standing still with a curtain of hair around his pingpong-head. He was in his late 30s and was known for possessing one of the largest Metal and Punk collections far and wide and one day in 1982, he finally invited me to his apartment. I was surprised to see a very chic, two level apartment, with a spiral stairway in the middle of the living room. He led me straight away to that stairway to the upper level. There were like 2 or 3 rooms and he opened the door to one of them. No, he didn’t really open the door, it was more like storming the room. The main light was off, but endless lines of fairy lights and tinsel decorated the room. The altar. It was full of records, thousands of them, many on display, drapped with tinsel in gold and silver, lights, candles and things like that. It was kind of freaky and I felt very uncomfortable right away. There was no record player in the room, I clearly remember that. I started going through the records and could feel that long, silent pain that you sometimes feel when you see records you’d love to have so much. He had them all. A bit later, he pointed to the first JAGUAR single on the wall. It was sleeveless. I said: “I’ve seen this with a picture sleeve. Why is yours missing?” – “I was married”, he answered, with his head constantly turning and moving around, “and last year my young boy put on a Micky Mouse sticker on the front of the sleeve, so I had to smack him. My wife then decided it was enough and she left me.” He said that like a machine would talk: Quietly and without the slightest emotion.
In the early 90s, he overdosed on heroin; he had begun trading in his collection for the powder a few years earlier, but I didn’t know that. I knew I had bought some of his records at the local shop, but I did not know until later I practically bought off his life with every piece of vinyl I took home.

Back Street Woman.mp3
Chasing the Dragon.mp3

SPERMA- Züri Punks, b/w Bombs 7″ (Another Swiss Label, Switzerland, 1979)

sperma_firstfrontsperma_firstbacksperma_insidesperma_inside2And here is the first pressing of the first SPERMA 7″. A while ago, we’ve had the 2nd press of this single with the different picture sleeve and b-side song (“Sinnlos”). Thanks to the financial crisis, this copy could be acquired for about a fourth of what it used to cost on Ebay and the typical lists (and it was still about twenty times costlier than when I first saw it in the record shops … oh well).

Mongo Rock of the finest sort. So demented in its attempt to be punk. The lyrics are hillarious, and when they sing “Woodstock isch Scheisse gsii” (“Woodstock was shit”), I can’t choke laughing no longer.

I love the cover of this. The picture, the raw raster, the heavy paper. You know that artifacts like this will sooner or later end up in museums and art galeries. The music is , well, I think I said everyting in the last SPERMA post already. To find out more about it – well maybe not so much the band itself, but how I portray it, follow the link above.

Züri Punx.mp3
Bombs.mp3