Good bad Music for bad, bad Times! / 2008 / October

ADRENALIN O.D.- Let’s barbeque 7″EP (Buy Our Records, USA, 1983)

New Jersey’s everywhere! First, Joe had his funtastic overview of the Garden State scene of the 80s, then I followed him by posting MENTAL ABUSE. Next up was Peter with his awesome post of CHRONIC SICK’s twelver, one of HC’s most wanted records. Dave posted the 2nd A.O.D. 7″ and here we go again – fully sanctioned by Paul of A.O.D. (check the comments section). Yipieh!!

What a scorcher the first A.O.D. 7″ is! Massive, massive sound, short, raw, dirty, abrassive yet melodic. A total winner and a bit overlooked still. Every song totally rules, my fave ones being “Suburbia” and “Old People talk loud”, “Trans Am” – ah fuck it, they all are equally great.
This 7″ (500 pressed) was bootlegged in the late 80s in Germany by (haha hold your breath) the guy from one of the world’s now biggest Metal labels (Nuclear Blast Records) who used to be a HC pioneer before he sold his soul to the devil. The bootleg has blue lettering instead of red.

Everything else AOD put out weighs more than a ton of gold – at least up til the “Cruising with Elvis in Bigfoots” LP (or was it the other way round). The first AOD LP is one of my most played records ever and “Pizza & Beer” from the 2nd album could drive me insane. Now I’m already looking forward to another of Jay Thurston’s masterly comparisons ……

Suburbia.mp3
Old People talk loud.mp3
Trans Am.mp3
House Husband.mp3
Mischief Night.mp3
Status Symbol.mp3

PAUL CHAIN- Les Temps du Grand Frère 7″ (Flight Nineteen Records, Switzerland, 1991)

Yeah? Yeah!!!!!!!

Violence of the Sun.mp3
Paradise of the Poor.mp3

MENTAL DECAY- s/t 7″EP (Buy Our Records, USA, 1984)

When I read Joe’s excellent New Jersey Special, I suddenly remembered MENTAL DECAY. I used to play the shit out of this EP, but as it goes, I must have gotten tired of it. Now that I played for the maybe first time in twenty years, it totally blew me away. And I was proven that I must have indeed loved this a great deal – I knew every song by heart, and even some of the lyrics had been buried somewhere in my head and it only took one spin to reactivate memory. So great, so aggressive, fast and pissed yet skilled and funny – let’s make this a happy double-posting day!

Run & Hide.mp3 / I’ve had enough.mp3
Ship out the Homeless.mp3
Sandwich Meat.mp3
Love Story.mp3
You suck.mp3
Garden State Chemical Waste.mp3
No Variety.mp3
The Cunt.mp3
Leave me alone.mp3

WEAPON- It’s a mad mad World, b/w Set the Stage alight 7″ (selfproduced, UK, 1980)

WEAPON belonged to the very first generation of the NWOBHM and although their 7″ from 1980 has not only hit potential (on the a-side), but is also of noticeable force and drive, this little black pearl has sunk into oblivion, apart from the connaisseur circles at least. Let’s change this!

“It’s a mad mad world” is a good song. Unspectacularly good. Reminds me of something but I can’t say what. Do you know? But just flip the black gold over and “Set the Stage alight” will knock you down. Fast, pushy and with a monster of a chorus. Brilliant! And did you notice the song’s opening? Guess you too will think: “Heard this before!”. Of course – “Hit the Lights” by METALLICA! Sometimes I think the guys in Metallica should send a couple of million quid to all the poor NWOBHM bands they have ripped off so blatantly.
Punks only hit the second song please. People with brains might enjoy both tracks.

This 7″ was available on 12 inches too, with no other difference than the size. And size does matter: The 12″ is rarer than the 7″. This one here is autographed boo-fucking-hoo. It’s cheaper to find this way. That’s a great irony: Autographs of nobodies make records cheaper. It’s a mad mad world!

Its a mad mad World.mp3
Set the Stage alight.mp3

NERORGASMO- s/t 7″EP (Babby Records, Italy, 1985)

Nerorgasmo will haunt you forever!Nerorgasmo - In Lord Satan we trust!Italy’s NERORGASMO (translates as “Black Orgasm” – wonderful!) released one of the darkest and most original sounding EPs of the 80s. Backwards message, weird sounds and ultra evil, CCM-like riffing, creating a sickly sweet atmosphere of lascivious cross-downturning. Just the way we love it so much! What is anarchy and subversion if there’s not some good old satanism involved. Too bad only the songs are so damn short, but maybe that’s part of the magic of this 7″. Definitely Pagan Hardcore! And too bad the band didn’t continue after this. I’m sure if they would have followed the same musical path, they could have come up with quite some mind boggling stuff.
Before slowing things down a bit, two of the NERORGASMO members were in the incredible HC Thrash band Blue Vomit. Find out more here.
I’m so hungover, I couldn’t think of more to write for the moment.

Nerorgasmo.mp3
Banchetto die Lusso.mp3
Passione nera.mp3
Distruttore.mp3

URBAN WASTE- s/t 7″EP (Mob-Style Records, USA, 1982)

Peter just posted the only record he would take with him to live in an abandoned squat. I never got around to buy any Meat Puppets release back in the days and I’ve noticed that it’s not so easy for me to get into old HC or Punk which hasn’t accompanied me along the past 20 years at least. It’s different with Metal and such, but HC to me has always been a peculiar thing, a private issue.

Playing URBAN WASTE gets me as close to a religious experience as possible. The greatest Hardcore record ever released. Period. It’s not one single song that sticks out (when I was young, it was “Police Brutality” though). It’s the whole damn EP, every note, every scream, every word, every drum beat, every distortion, every time any string is touched on the guitar and the hardly noticeable bass. How raw the sound, how crude the mastering job is, with all the endings just cut off. Such details I could rave on about forever. The feeling of total loneliness in a song like “Ignorant” and how the drum intro perfectly underlines this with just the right amount of reverb. Incredible. Despite its great relevance, this record (and many with it) will never ever find a way into the canon of the 20th century classics, although it would be well deserved and not even the Hardcore re-enactors of today will understand the relevance of URBAN WASTE. Sure, music is a subjective thing, but c’mon, in a most objective manner, this fucking rules.

There used to be some reunion video up on YouTube from 2000something, where the band refused to play “Police Brutality”. The times have changed, we can’t play this song anymore, the singer said. How great is that?!
Buy the official reissue or spend a couple hundred bucks for the original, but get this. You can’t live without it. I couldn’t. You shouldn’t.

If you wanna find out what happened after this URBAN WASTE’s only official release, check out MAJOR CONFLICT.

Police Brutality.mp3
Public Opinion.mp3
No Hope.mp3
Wasted Life.mp3
Skank.mp3
Ignorant.mp3
BNC.mp3
Reject.mp3

PS: Anybody else’s copy has that weird scribble on the back? This is the first press, right, and the second press is the one with the ugly white border? How many were really made iof this?

V/A LIKE BLACK HOLES IN THE SKY – THE TRIBUTE TO SYD BARRETT (Dwell Records, USA, 2008)

Now this is quite a surprise! A tribute to the the founding member and original master mind of PINK FLOYD, Syd Barrett who died 2 years ago.
I could start telling you how much I always loved early PINK FLOYD and how I fell onto my knees in front of Syd Barretts musical genius, but truth is, I used to pretty much detest PINK FLOYD in my young years. When I was 14, my teacher forced the whole class to the cinema where we had to watch “The Wall”. Sure, I could relate to the pictures and I too felt like a victim of fascism when I had to get up at at 7 in the morn just to go to school and had my head used as a dump for all kind of nonesense. But why on earth had the music to be so dull yet pompous? Why didn’t these rock stars scream out their anger? I didn’t get it. Besides, the girl who sat next to me and looked a bit like Brooke Shields in her own semi-erotic version of Robinson Crusoe, didn’t tolerate my wandering hands, whereas the same theater had turned out to be a perfect little fun park during AC/DC’s “Let there be Rock: The Movie”. It had to do with PINK FLOYD, I was sure about that.
It wasn’t until I first heard VOIVOD’s monstrous “Nothingface” LP. This LP, as you know, is a milestone (somebody’s only got to cut the grass around it) and it featured a PINK FLOYD cover version. It gave me second thoughts. As soon as I had the opportunity, I borrowed a friend’s copy of “Piper at the Gates of Dawn”, PINK FLOYDS debut album from 1968. What a revelation! And how different that sounded compared to “The Wall”. ‘m sure this record made a lot of young lads and lassies way happier than the pseudo-political drivel of “The Wall”. I was born too late.

Tribute albums are a dangerous thing. Ever so often, the band that’s being paid tribute to is much better than the acclaiming bands. These albums are one terrible drag to go through. The worst case scenario is that the cover versions are so dull and dumb it makes the original song material appear dubious. That is not the case here. BLACK HOLES IN THE SKY is one of the few tribute albums I can think of that don’t really fall back behind the original band. Au contraire, it’s extremely refreshing and intriguing to hear how the bands featured succeed in pumping fresh blood in old songs. It starts off with one of the comps highlights, the incredible “Vegetable Man” as presented by KOSMOS, a band of which I never heard before.Totally awesome, staying pretty close to the spacyness of the original version. Next up are KYLESA. Honestly, I thought “oh no” as I had seen the band live a few years ago and it was total dung. But boy, they do deliver the goods with the classical “Interstellar Overdrive”, giving the song a fantastic touch of Rudimentary Peni / Christ on Parade-ism, which as you might have guessed works extremely well with Syd Barrett songs. Ace! So is INTRONAUT’s version of the crazy “Arnold Layne”, another cover that’s not too much on the experimental side. “Matilda Mother” by STINKING LIZAVETA is good, but not as great as the first three. “Late Night” by JARBOE is a wicked, sexy track that makes you wanna do things. PENTAGRAM who cover “Flaming Lips” are sort of disappointing, but maybe it’s only because I never liked the original song. It’s a bit boring. A band named GIANT SQUID of course had to pick “Octopus”, adding a nice bit of a Violent Femmes vibe to the original song, which I think is very well done so. YAKUZA cover “Lucifer Sam” and make it sound really Doomy – heavy, mean music, great! JESU do as you’d have expected them to do: Dissecting “Chapter 24″ and pressing it through what is basically the Head Of David meat grinder. Awesomest! UNEARTHLY TRANCE, another band of which I haven’t even heard the name, are back to a more conservative interpretation as is DREDG, who interpret “Astronomy domine” (this song should not be covered anymore since VOIVOD laid their magic hands on it, if you ask me). “Rats” is presented by CIRCLE and is another winner. ZODIAK close this tribute with “See Emily play”. Another outstanding song, with a lot of heart.

If you’re in the mood for the kind of entertainment that doesn’t threat you like you were an idiot, then do yourself a favor and check this out. And don’t be all too careful with that axe, Eugene.

Here’s one song for you to check out:

KOSMOS: Vegetable Man.mp3

And here’s the label’s site and the myspace site.

PAUL CHAIN- Mirror 7″ (Flight Nineteen Records, Switzerland, 1990)

This is the third post involving Italy’s very own PAUL CHAIN and it won’t be the last! You’ll find his former band DEATH SS here and his first solo release here.

Couldn’t possibly add more to what I’ve already said about this man’s crazy, crazy and extensive work. Spanning from really heavy stuff over a 3-disc opera to improvisational music, the two 7″ released on the tiny Swiss “Flight Nineteen” label represent some of the best PAUL CHAIN ever achieved. Totally out in space, psychadelic yet heavy and with that typical morbid italian twist and sung once again in his purely phonetic language! What could be more perfect for a sunny sunday morning, with falling leaves, families walking the streets like zombies and religious live broadcast on every second television channel.

I bet my soul (a if I had one): This cannot be topped!

Obsession.mp3
Headroom.mp3