Good bad Music for bad, bad Times! / 2008 / March

BLITZKRIEG- s/t 7" (Neat Records, UK, 1981)

blitzkrieg_front.jpgblitzkrieg_back.jpgRepost from September 2006. Freshly ripped in interstellar sound quality. For more of this NWOBHM group, check the recent “Lead Weight” post.

My summer of 1977 came a bit later. I don’t recall whether it was just one single record or much rather a chain of happenings and music that opened my ears to new music (and my eyes to girls). Sometimes I think it was the first Iron Maiden LP that started it all, then again I remember how much Judas Priest’s “British Steel” sounded “new”. But maybe it was the rawer stuff from what was called The New Wave Of British Heavy Metal, like the bands on “Lead Weight”, a compilation album from Neat Records. During the summer of 81, I checked out whatever was freshly released and looked un-pop. Be it the Dead Kennedys, Venom, Minor Threat, Killing Joke or else; I liked some better than the other and bought whatever I could afford (and I hated Minor Threat because of the singer). When somebody would tell me that Venom sounded like a bad punk band, I couldn’t care less, like I didn’t give a shit about AC/DC not being “cool” enough for the trendies. One or two years later, when the first storm was over, labels would become more important to me because correct labeling would signify the expert and I wanted to become one. Also, the village in which I was doomed to live, had its first few Punks hanging around. They all went to high school and had nice middle class parents. I hated them all. Living on the countryside, far away from the bigger cities, Heavy Metal was Punk.
BLITZKRIEG impressed me one helluva lot. The song “Lead Weight” still had that 70s feeling but on the same hand already sounded “modern”. The 7″ was of another caliber. Twin guitars, consequent riffing (listen to “Buried Alive” - is that so far from “Hillside Strangler” from The Hollywood Squares?) and a slightly more aggressive singing was of a quality that was unheard of. It’s strange with my taste, I sometimes think: Some old records I like because they sound like they were recorded half an hour ago. Others I appreciate because their sound is deeply rooted within a specific moment in time. BLITZKRIEG belongs to the latter category.
Everybody kept saying how rare this 7″ was, so I just thought I might try and contact the band directly. It was one of my first fanboy letters in english. I sat there for quite a bit of time really, picking word from word from a dictionary I had used years before, when I started teaching myself some english by translating AC/DC lyrics (I never had english in school or later, so blame all my mistakes and bad grammar on those song lyrics). However, to my great pleasure, I received a package a few weeks later with a whole bunch of BLITZKRIEG 7″s, autographs and some stickers. It had worked!

Here’s the complete 7″ for you - and don’t you say this is not spectacularly good!

Buried alive.mp3
Blitzkrieg.mp3


V/A LEAD WEIGHT Compilation LP (Neat Records, UK, 1981)

p1060695.JPGp1060696.JPGWell, somebody has got to do it and I guess the joke’s on me.
LEAD WEIGHT was one of the most important NWOBHM or - generally speaking - Metal compilations ever made. Nevertheless, it’s never been re-released in its orginal form and that, ladies & gents, is a major Rock’n'Roll crime! Guess it’s kinda hard to explain what this album meant (& means) to me and many others back in the days before internet, personal computers, cell phones or shaved buttholes. I could just go on, telling you stories about “authenticity”, “true” or “false” music or “how it was”, but honestly, I don’t give a rat’s arse. What’s an earthquake in the desert when nobody registrates it? Earlier this day, I played PAGAN ALTAR’s “Lords of Hipocrisy” and during the title track (?), the singer starts his falsetto-lamento that nothing in this world is true. “Bullshit”, I thought to myself, “you Heavy Metal Morons” (HMM). Of course it’s exactly the other way round. Everything is real. And that’s what made me think of this compilation, of what “truth” and “biography” have in common, how such categories structure what simpler minds might call “taste” or “preference” and I imagined Slavo Zisek grinning at me, tapping me on my back, saying “well, my friend, if at least you’d listen to better music”.

So here we have one such moment of overall Dalai Lamaness again and I tell you, as soon as I’m sick of repeating it (it lasted 341 posts so far!), I’ll call it a day here: This blogs only serves me. If you wanna follow me into the depths of idiotic music played by idiotic people (for idiotic people), sometimes barely capable of holding their instruments, sometimes wanking so hard on them it gives you a stiffy or wetty yourself, then you’re welcome. If not, well, no offense but I just don’t care. You may put on your original 1977 leather jacket and just go fuck yourself with it.
Ooops, in vino veritas. Let’s imagine, you’d ask me which song I liked best here. Guess I’d say it’s WHITE SPIRIT’s “Cheetah”. Music never and I tell you that - never! - got or gets any better than this. I know, you heard that before, maybe from myself even, but trust me - you can burn all the records you have and just save yourself this song. Let’s say you’d be the last man (or woman or else) on earth and so was I and you had the fortune of meeting me in the ruins of Newcastle, under a sky of the color of molten lead, you’d just have to sing the chorus of “Cheetah”. I’d lower my guns and invite you to spend a nice evening or a couple years at that with me. So it goes with the rest of this comp, basically. VENOM has an early version of “Angel Dust”, a straight edge song, ARAGORN tickles you with “Noonday” and RAVEN calls for the “Inquisitor”, just in time, before the lads from FIST are “Throwing in the Towel”, because the AXIS’s “Messiah” is “Down the Road” (according to BITCHES SIN). Well, don’t you mind SATAN’S EMPIRE’s “Soldiers of War” “Flying high” - WARRIOR told you so. And, fuck me, BLITZKRIEG’s “Inferno” may come to me any day!

Download “Lead Weight – H.M. Rock Compilation from Neat” here. It’s a rather large file (102 MB).

HÜSKER DÜ- Amusement 7″ (Reflex Records, USA, 1980)

huskerdu_front.jpghuskerdu_back.jpghuduvinyla.jpghuduvinylb.jpgOne of the mightiest trios in music - Grant Hart, Greg Norton and Bob Mould’s HÜSKER DÜ were one of the bands that you just couldn’t ignore in the 80s and probably one of the most influental rock bands ever. Who wouldn’t remember the endless debates over “New Day Rising” («Is this still Punk????») or “Candy Apple Grey” («Major labels support nuclear war!!!!!»). At least for me, things were always very clear: The “fastest record in the world” never impressed me too much (”Land Speed Record”), though “Everything falls apart” was like a punch in the testicles. But to me, “New Day Rising” has been one of my all time fave albums since it came out (and the euro tour that followed was fantastic too!). And “Candy Apple Grey” is one milestone too, couldn’t count the times that “Eifel Tower high” or “Don’t wanna know if you’re lonely” saved my life.
In fact, looking back over the band’s career, it’s kinda obvious that the HC days weren’t the “true” HüDü at all - as you can hear, it started pretty experimental with this one, then it got fast and faster, before things got really exciting. When you listen to the later Hüsker Dü, it makes you wonder how “Grunge” could have been reviewed as a refreshing style in the 90s. Dammit, they all owe to Hüsker Dü!
These two songs may not be my favourite pick when it comes to the Hüskers, but I still ove this record. Everything seems like in a fetal state here: The song writing, the musicianship, even the production by later super-knob-turner Steve Fjelstad: They all were still learning, so it seems. Maybe that’s what always makes me compare this with the first BIG BLACK 12″. As amateurish (never forget - the adjective come from the latin verb “amare” which means “to love”!) as this may sound, it’s totally HÜSKER DÜ already, you will recognize it at once, I’m sure.

Get the second 7″ from Peter!

Amusement.mp3
Statues.mp3

ANTISEPTC- First Last 7″EP (Noise Room, Japan, 1986)

antiseptic_front.jpgantiseptic_inside1.jpgantiseptic_inside2.jpgantiseptic_back.jpgThese crazy japanese glamsters! I have zero information about ANTISEPTIC. The 7″ was recorded at the very end of 1985 and released in early 1986.
All four tracks smoke and the band manages to add a little variation in its paradigmatic japanese sound: The first song “Visiöns öf Pöwer” has an obvious G.I.S.M. / Zouo stance, very apocalyptic and gigantic sounding, the second (my fave) blasts off with killer riffing and a bit of a Motörhead touch, the third one has Oi(nk) thrown in and is the weakest here. The last song miraculously blends everything from the other three in one hell of a scorcher.

Enjoy this three times daily. Your hardcore doctor.

Visiöns öf Pöwer.mp3
War Game.mp3
Dice with Death.mp3
Death ör Glöry.mp3

BRATS- 1980 LP (CBS Records, Denmark, 1980)

p1060693.JPGp1060694.JPGSatan who thou art in heaven - please forgive me for not having discovered the BRATS back in the old days. I remember hearing this album occassionally around the time when MERCYFUL FATE released their three first masterpieces, but it never did much for me. I particularly remember when I saw MERCYFUL FATE live in Poperinge, Belgium, at the “Heavy Sound Festival” in 1984, how some motorcycle-guy made me listen to some BRATS on his walkman - it didn’t leave much impression on me, especially not in the heydays of MERCYFUL FATE - the gig that night was incredible and so were the whole circumstances. I was barely 16 years of age, we got harassed by the belgian cops in Brussels, slept in the wreck of coach after the festival, only to be pulled out constantly by other cops and the night before the festival, we tried to crash in the pouring rain, until some roadie let us sleep on the table in one abandoned mobile home. But with the line-up of the festival, this couldn’t put us down: Motörhead, Metallica, Twisted Sister, H-Bomb, Lita Ford, Baron Rojo and Mercyful Fate. It was fucking amazing, still very underground, with a very mixed audience.

BRATS formed in 1977 and released two singles plus this album. Both guitarists, Hank Shermann and Michael Denner later went on to form MERCYFUL FATE. The album, with a super nice silver laminated cover, failed to be a commercial success so the band got the boot from the major CBS label oh too soon.
But what a record this is! No wonder I didn’t get it when I was younger. The mixture of Punk and NWOBHM with both Glam and Powerpop sidekicks has got to be heard to believed! So extremly thrilling, so full of joy and pleasure! Some of the vocal lines will make your head go round in circles! Sure, the obvious hits like “Punk Fashion” or “Fuel” should appeal to the readers of this blog immediately, but give this milestone a close fifth and sixth listen and realize that this is one of the few perfect albums - it couldn’t possibly be better than it is. Guaranteed! Take the song “Complex (Don’t destroy me)”: This has it all - from the Mercyful Fate-ish spooky feeling to Pop and Punk. Can you fucking believe this?! Or then “Sense my Boy” with its Dead Boys touch - bloody hell, so wonderful, it’s not from this world anymore!!!!!!

Vinyl plays pretty noisy, so I would suggest you go and buy the reissue (you’ll find it on eBay) or save a bit of cash (ca. 150$) and get yourself a first press. Oh yes - the recod was actually produced by CBS Holland, not Denmark. The band was from Denmark, but I didn’t want to confuse the readers too much.

And now, sing along:

«You believe in fashion
yeah, that is your passion.
Punk in mass production
fashion is destruction.
Regiment the masses
they’re wearing punk sunggasses [sic!].»

OY-905.mp3
Tame Me (Insomniac).mp3
B-Brains.mp3
Punk Fasion.mp3
Complex (Don’t Destroy Me).mp3
Fuel.mp3
Heavy Rocker.mp3
Pinned On My Eyelids.mp3
Sense My Boy.mp3
Ogcah Ghaszlihr.mp3
Accepted.mp3
Zombie People.mp3

THE MAD- The 1978 EP 12″ (Brain Transplant, USA, 1999)

p1060691.JPGp1060692.JPGThis 12″ containing THE MAD’s 1978 demo tape was released in a very limited edition a couple years ago (a 7″ with additional material was released simultaneously). Both came out on Roger Mah’s “Brain Transplant” label. If you wanna find out more about the band, check this blog or go over to Peter’s KBD site, where the ex-guitarist Julien has left some comments too.

What’s especially nice about this 12″ is the booklet, containing extensive liner notes and photos and of course it’s nice to have the additional songs. What I don’t like is the poor editing job made on the sound recordings. Take “I hate Music”: They just turned down the volume between the guitar intro stakkato, probably in order to get rid of what the producers thought of as “background noise” (my guess). “We love noise”, eh – guess somebody else didn’t. Then they must have made usage of some kind of a noise gate, totally destroying the sound dynamics, resulting in a very flat, kinda powerless wanna-be CD sound. Bad, bad job, I’m sorry to say. Never heard that japanese CD, but my guess would be it sounds just as weak. Just compare this version of “I hate Music” to the one on the original 7″ – it’s sad. One more point to bitch about: It’s quite hard to believe that his was the 1978 demo. The “We love Noize” mix is obviously some rather dull fucking around with some of the original recording tracks, totally pointless, at least to me.

madbook1.jpgmadbook2.jpgOne can only hope this material will see the light of day again, maybe a little bit less in “limited edition” and more in sound quality. Anyway, maybe you’ll like this better than I, so here we go with another exhumation.

I hate Music.mp3
Eyeball.mp3
We love Noize (Special Johnny 19 Mix).mp3
The Mad Theme.mp3
The Hand.mp3
Anti-Real.mp3

And here’s my own “I hate Music” version (sorry, couldn’t resist altering the intro a bit):
I hate Music (Mongomix).mp3

THE WORST- Expect the worst 12″EP (Mutha Records, USA, 1984)

p1060689.JPGp1060690.JPGThis is a split post with the other best blog, Peter’s Killed by Death Records goldmine. Go there now and get a freshly re-ripped download of the first WORST 7″EP!

Sometimes, I seriously wonder how the building up of the music canon works. Sure, most of what’s considered to be classic from the golden years has its star in the HC Punk walk of fame for good reason. But how come that a record like this one never really got the credit it deserves? The second vinyl of New Jersey’s THE WORST absolutely destroys! And yes, it’s definitely better than the great first 7″, which was from 1982 and had a really distinctive sound for a HC recording so early. But, when you compare it to this, it’s kinda obvious, at least to me, that the band still wasn’t on top of its abilities. Brutal, relentless and extremely aggressive Hardcore of the not so funny kind, ready to rip your head open with top riffing, great tight musicianship (these guys sound like they’re actually holding themselves back here!) and a crisp powerful and clear production. Impossible for me to pick a fave track - they all sound like coming from one and the same mold!
This was recorded in 1983 and released in 1984 (the label states ‘83 and btw, it also displays twice the same running time for the two songs that are glued together, “I don’t know” & “Going to New York”, tracks 3 & 4). It was produced by one of the most interesting record labels I know and one of my favourite ones at that - Mutha Records. What a fantastic label that was, with great variety and some really weird stuff. Damn, those were the days, but I’m sure you know that. Now move your furniture outta way, send your ladies out bowling & boozing and get ready for an adrenaline overflow! Greetings to the band’s guitarist Trez who’s still around and is a nice bloke.

We are those.mp3
Emergency Room.mp3
I don’t know.mp3 & Going to New York.mp3
Go to Hell.mp3
Face.mp3
City of Sin.mp3
Loud & fast.mp3
I wanna stop.mp3

MINOTAUR- Burner, b/w Witch Hunt 7″ (Ranger Records, Canada, 1984)

minotaur_a.jpgminotaur_b.jpgSomewhen in 1984, I received a tape compilation with all canadian bands. It was a wild and eclectic mixture, ranging from Neos, Dayglow Abortions and the likes to Anvil and a two tracker single by a band called MINOTAUR. Even though I was heavily impressed by the ferociousness of the Hardcore Punk stuff, MINOTAUR were right down my alley too. Especially the song “Burner” with the very Paul DiAnno-like ecstatic shrieks and the uptempo beat. I tried to find that 7″ for a long time then, without success until it had slipped my mind for a long, long time (the rest has to do with eBay).
Nowadays, that I’m a better Metalhead than I ever was, I totally love the b-side song “Witch Hunt” as well. I find it peculiarly interesting because although it’s the slower of the two songs, it sounds more like U.S. Metal whereas the drivingburningandgrinding “Burner” has more of a typical NWOBHM note to it. Weird? Such is life.

From the band’s myspace site, we learn the following:
«Minotaur was formed in 1982, in a garage in Oshawa, Ontario, a suburb of Toronto. Between 1982 and 1987, the band travelled extensively throughout Central Canada and Quebec, playing clubs and arenas with legendary Canadian acts like Anvil, Kraken, Lee Aaron, Kim Mitchell and the Killer Dwarfs.
1982 was the year that I experienced my first big metal show in June- Iron Maiden with Anvil, on the Number of the Beast tour. As a 13 year old kid, growing up in an industrial city- the motor city of Canada- headbangers were a rare breed. When I arrived at the venue on the night of the Maiden show, I was blown away to find that every single person waiting in line to get in was clad in leather and studs- I mean you could literally smell the leather surrounding you and I nearly lost my mind. At one point, everyone began chanting United- the Judas Priest anthem- in unison. These were the brothers I never had- the underground true-blue metal fans that were like me- on a pilgrimage to a show that changed my young life.

That night pointed me towards an outlet for my rage, creativity, and lust. And ultimately, it probably saved me from the self-destructive fate that many of my not-so-advantaged peers had in store for them.
HEAVY METAL WAS NOT A FAD TO US; IT BECAME A WAY OF LIFE!
In an awesome twist of fate, 3 years later we were opening for Anvil at the El Mocambo in Toronto, when Steve Harris and Adrian Smith walked in and sat down right in front of us in the middle of our set. They had flown up from the Bahamas, to promote a line of Canadian guitars that they endorsed, and were taking a break from recording Piece of Mind. Pete and I gaped wide-mouthed at each other in utter disbelief!!! Here was Iron Maiden, watching us 15 year olds play Iron Maiden songs. I nearly pissed myself later when Steve Harris told me backstage over a beer ” you sound a lot like Paul Dianno, mate” (Maiden’s first singer).
In the end, the band went their separate ways, with guitarist Pete Lesperance moving on to join Harem Scarem in 1988. Pete became a guitar hero to fans around the world, and is known today for his playing on the many records he has recorded with Harem Scarem and songs he has written and produced for many other projects.

Keep on rockin’, Leech ……..uh and oh ya…………..Denim and leather brought us all together!!!»

‘Nuff said. Now bang your hands:

Burner.mp3
Witch Hunt.mp3

BIG BOYS & THE DICKS- Recorded Live At Raul’s Club Split LP (Rat Race Records, USA, 1980)

p1060687.JPGp1060688.JPGIt’s simply not possible for me to express how much I love both bands, THE DICKS and the BIG BOYS. They both stand for what I always loved about Punk they way I understood it: Highly individualistic, innovative, clever and passionate music from and for free thinking folks. While THE DICKS, the band-version of a John Waters movie, spice up their music with a bluesy, somber overtone, the BIG BOYS mostly blast off as a avant-la-lettre Punk-Funk combo, tight as fuck and simply bursting out with enjoyment.

I’m however not including the BIG BOYS songs because you can get them on the quintessential double CD compilation (and Touch & Go Records, who takes care of the BB’s legacy, doesn’t like it’s artists’ work being offered for free download on blogs, what I do respect). Part of THE DICKS set has been on their incomplete and, if you ask me, rather pointless anthology CD, but I thought I’d just rip the entire side and add the wonderful “Kill from the Heart”song from the same gig that was on the lovely posthumous double 7″EP from Selfless Records, but didn’t make it on the original split LP. On a side note, the anti-intellectual rant from “Kill from the Heart” seemed to attract mainly students, haha. When you consider that the band’s singer Gary calls himself buddhist these days, it gets a rather tragic note, doesn’t it? I mean, what could be more tasteless than buddhism.
For THE DICKS complete “Kill from the Heart” LP, go here (btw, it was released in 1983 and not 1981) and on this location, you’ll find the impossibly rare first 7″ “Hate the Police”.

THE DICKS Side:

Fake Bands.mp3
Dicks hate the Police.mp3
Dead in a Motel Room.mp3
Wheelchair Epidemic.mp3
Babysit.mp3
Shit on me.mp3
Lifetime Problems.mp3
Suicide Note.mp3
Shit Fool.mp3
Love Song.mp3

Bonus:
Kill from the Heart.mp3

V/A THE MASTER TAPE - A COMPILATION LP (Affirmation / Nimrod, USA, 1982)

p1060683.JPGp1060684.JPGp1060685.JPGp1060686.JPGThis won’t be new to most, but since it’s still unavailable and kinda hard to find, I thought it might be a good idea to supply a good sounding download, until we finally see a legal reissue of this and Vol. II, the classy double album that came a year later.

Few comps meet such high standards in quality and this babe smokes from A[rticles of Faith] to Z[ero Boys]! Not one single moment of annoyance here. TOXIC REASONS, SLAMMIES, DIE KREUZEN, ARTICLES OF FAITH (not from this earth, like always), REPELLENTS, LEARNED HELPNESSNESS (who unfortunately only released this killer song!), THE F.U.’S, THE PATTERN, ZERO BOYS, DELINQUENTS and BATTERED YOUTH. No reason for me to write much here, I’m sure some of you will tell us their stories.

Download the entire LP (of which, btw, 2500 were made and sold in no time) in wonderful quality here and if there’s ever going to be a legal reissue, make sure you puy that, Bunk! Oh yes - my vinyl has like streaks of very light grey. Anybody knows whether about a colored wax pressing of this?