Good bad Music for bad, bad Times! / 2007 / January

WARDS- The World ain’t pretty and neither are we 7"EP (selfproduced, USA, 1983)

wards_front.jpgwards_back2.jpgAnd here’s Tony’s request cause he wanted to have a quality rip of the WARDS mighty debut.
When I received a package, containing this 7″, the follow-up and the “Ripped off in boston” Demo tape, I couldn’t believe it: The band said they had problems in getting rid of the stuff, thus offering a massive price reduction. Not long did I hesitate and ordered a bunch of the 7″s which I sold in no time for like 3$ each.

The first 7″ is just perfect snotty punky HC of the deluxe class. What I especially like is that the slow songs too are kept short. “Weapon’s Factory” is phenomenal, but the version on the 2nd 7″ is even better. Get it from Peter “the little coward” KBD. Now download this and when playing, look through something transparent of deep blue, because that’s the color of the wonderful vinyl. And read more (yet more??) about the WARDs here.

Weapon’s Factory.mp3
Ghetto.mp3.mp3
AFL-CIO.mp3
Reagan.mp3
Six O’Clock.mp3
Digger.mp3
Weapon’s Factory.mp3
Greens.mp3
Patrons.mp3
Santa’s Cadillac.mp3
In this World.mp3

WHITE PIGS- Hit Bonanza Demo Tape (USA, 1985)

This very aggressive, blistering demo tape was sent to me by the WHITE PIGS when I still had my fanzine going and until yesterday, I was sure, the band’s first 7″ was way better than this. Now that Timmy reminded me on posting this for him, I thought, I’d give it a few seconds in my tape deck to see if it’s really worth the work of ripping.
And yes - RIPPING that tape is! Not sure if Timmy, who ain’t no lover of metal, will dig this. I think it’s great. Very bizarre mixing of the bands straight HC days and 666ism, always kinda ironic (”Heavymetal”). I think this works fine, cause there’s an overall layer of musical brutality that sets a frame. And fans of the NWOBHM will notice that some of the metal riffs could come from one of the classic albums of the genre. The vocal job is just amazing and the guitarist tries his best too. Formidable! And the Munsters-theme song is a real classic in my books, remember when I used to play this up and down.

For more, go to Punk Vault’s WHITE PIG feature, where the comments section tells more about the band history and all.

Victims.mp3
Satans Sparrows.mp3
Leave m.mp3
Drop out.mp3
Heavymetal.mp3
Devil Bitch.mp3
Deathway.mp3
White Pigs.mp3
Munsters.mp3
Suicide.mp3
Bobby.mp3
New Life.mp3
F-F-F K-K-K.mp3
Blood thirsty Freaks.mp3
Lambs Blood.mp3
Early Grave.mp3
A.P.O.W..mp3
Live for the Fire.mp3
Carl Rozens Poser Rap.mp3

MEDIEVAL- All Knobs to the right Demo Tape (USA, 1984)

medieval_cover.jpgmedieval_tape.jpgIsn’t blogging a nice thing? I just had posted my want list on the main page, when I received an email, offering me some original demo tapes. Thanks so much Dave! And now I’m passing one of the pearls onto you.

I was living in a shitplace myself, out of time, out of place, when in 1984, I ordered the second MEDIEVAL demo after I had heard the band’s immense theme song on “Metal Massacre IV”. One must say that this was and is the sound of the province, in a good sense. Dirty, raw, simple and with an original twist. I could relate to the songs immediately. Sure, my bike was a only a small moped and back then, it took one beer to knock me off my socks. But hell, MEDIEVAL with their regular guy looks and kinda laid back force, roaring like a heavy machine, were the shit!
Unfortunately, over the years I had lost or given away many of my original tapes, among them was this babe (I kept the 2nd one and the Mini-LP). So bloody happy I got this back after 20 years!!!

Although MEDIEVAL became notorious for a very sludgy, doomy sound (Bob M. of “Kick Ass” called it “Sludge Metal”) when they released the Mini-LP and the LP, this demo still has much of a Punk’s drive. Great uptempo parts mixed with crushing molten metal (haha) and perfect vocals. What is especially great is the overall 70s feeling and the bluesy bits and parts - that’s the way I wanna roll my rock and I will be damned if some of you out there won’t fall in love with this Motörheadian bikers soundtrack. Grab a beer, light a fag and enjoy! And pay the band a visit! They have a great website there with audio files and all.

Hell is full.mp3
All Knobs to the Right.mp3
Black Assasssin.mp3
All I got.mp3
Burnt Fuck
Blood and Anger
World War IV.mp3

I can’t leave you without this (from the first demo, appeared on “Metal Massacre IV”, where I ripped it from):

Medieval.mp3

PLAGUE- Just say no 7"EP (selfproduced, USA, 1987)

I saw that Slobo has requested this in every known blog of the universe. Here you go, with PLAGUE’s debut 7″. 6 (7 kind of) rough HC songs, much like Poison Idea and with a singer who sounds like the guy in Seizure (”All hail the fucking System” 7″).

I think the first song is fab and the LP is really strong, a bit more focussed, but this is still a nice piece of Ohio (of all places) Hardcore.
As you can see on the pix, I used to do anyything to make 7″s fit in storage boxes. Here, I tried the simple technique of folding. On the Urban Waste 7″ for instance, I went for cutting the rop of the sleeve - same on The Abused 7″.

Losing my Mind.mp3
Unplanned by the System.mp3
Rat in a Maze.mp3
City Life.mp3
The Pit.mp3
Downtown.mp3
Johnny’s Brain.mp3

DEATH SS- Evil Metal 7"EP (Metal Eye, Italy, 1984)

As promised (check the Paul Chain Violet Theatre post), here’s the mysterious and collectible DEATH SS 7″ from 1984.
I’m sure, everybody familiar with the work of italian band GOBLIN and movies such as “Suspiria” or “Profondo Rosso” from Dario Argento or slashers like “Anthropophagus” and the many italian Zombie movies of the late 70s and early 80s will get the vibe from this 7″. Totally morbid and sickly-sweet, walking on the edge between kitsch and glory. Just outstanding and very, very timeless.

The little I know of this 7″: Due to the bad pressing (or rather mastering), it got withdrawn immediately or more likely, never was on sale. Rumor has it, there are only a few dozen around. I used to have a friend (the same guy with coke and jellybear diet and the “Charles Manosn is innocent” writing on his leather jacket, btw), who was so fanaticly into this band that he spent a lot of money in buying off all remaining copies of “Evil Metal” cause he wanted to be the only person in the world who has this, haha. Don’t remember clearly how many he collected, but he had a few of them.

You might ask yourself now, what the hell does the band name mean? Well, I have no idea, but I remember reading Paul Chain in an interview, saying that it didn’t have anything to do with the historical SS (nationalsocialist paramilitary group) and that Chain said of himself to be coming from a left radical background, actually.
Now you know that writing funny things with silver ink on black leather jackets was very hip in the Switzerland underground scene of the early 80s. I used to have the DEATH SS logo on the back of my leather jacket, followed by a huge VENOM “Welcome to Hell” pentagram and DRI, COC, ANTIDOTE, SLAYER etc. (good bad music for life). One day, a nazi skin crossed my way and tapped me on my shoulder. I was scared cause I used to get beat up quite often for my looks back then and had lost 2 denim jackets with stickers already: We called that “getting stripped”, when normally Teds or Rockers would grab your jacket and tear it apart, cause they felt kids shouldn’t walk around like that. So I thought, fuck, now I’m getting my shit from a nazi (he was a huge mofo). To my surprise, he grinned at me like a school girl, asking me if I wanted to go for a beer. No, I said, I’m not homosexual (I was 15 or 16). He stopped grinning and walked off. Just like that. So i walked my way too, questioning myself what the hell just happened here - until I told about it to an older Punk friend of mine, who I met at the local record shop. He just laughed, tears in his eyes and pointed on the DEATH SS-logo on the back of my leather jacket. That’s how I became antifascist.

On Soulseek, you’ll find a rip of this in which somebody has tried to fix the pressing mistake. Unfortunately, the drop outs are still there, though a little less penetrating than on the vinyl. I’m sure that somebody with the necessary experience and software could make this sound much better. Drop me a line if you need wav-files!

And finally - as a bonus I also ripped DEATH SS’ best song, the incredible and never topped “Black and Violet” from the ultra rare “Heavy Metal Eruption” comp LP. That leaves only one more comp song to be digitized and that is the song “Terror” from a promo-only comp LP.
Check the band photo (left) from this comp - crazy bastards.

Chains of Death.mp3
Inquisitor.mp3
Schizophrenic.mp3

From “Heavy Metal Eruption - The italian Way of Heavy Metal” (1984):

Black and Violet.mp3

PS: On a side note, one must add that this is the ultimate “hearing things out” record. For instance, in the beginning of “inqusitor”, Chain probably sings:

“It’s rusty tea, and it’s sanctus seven, full torn bloath and really hard, humble toes and holy hosses, guess it’s time for roll away (…)”

LSD- Jast Last 7"EP (LSD Records, Japan, 198?)

Post # 201. Damn, I missed the 200-mark with this. Too bad. Guess you gotta live with another 99 posts. Poor bastards out there.

LSD played Japanese HC the way I’l luvin it. Great cheesy hippie intro and then the total nippon onslaught with nice riffing and over the friggin vocals! What’s really giving me goosebumps is the guitar solo in the first song and the tearful middle part - wonderful kitsch!!! And over 5 minutes long!!!! Isn’t it a crazy idea to mix kinda melodic music with such vocals? Damn, this is great!
Kinda rare piece o’wax, this might explain why LSD seems to be pretty unknown. Now we’re changing that.
Don’t know much to say about this. I’m not sure, but I think I used to have this with a diffferent sleeve once and I also had the band’s only other release, a flexi disc. It was nice too, but nowhere near the intensity of this. Yeah. Well. It’s been a hard week.

Karen Nash.mp3
Jast Last.mp3
[japanese title].mp3

CHEETAH CHROME MOTHERFUCKERS / I REFUSE IT!- Permanent Scar Split LP (Children of the Revolution Records, UK, 1985)

cover scans currently down Here’s some more CCM for you - it’s the famous split tape, that was released on vinyl in the UK in 1985. 4 tracks had been left off due to technical reasons.
Not more needs to be said about CCM. I REFUSE IT!, who also had a great 7″ and an LP (I think), play totally off the wall avantgarde synthie-HC or however you want to call it. Not for the faint of heart, but at least check out “Chocu Umeret”, the band’s hit!

One thing about the CCM side: The track order seems to be correct until and including “400 Fascists” - but the rest of the side doesn’t somehow match with the tracklist printed on the innersleeve. I can make out some of the songs, but the whole thing’s kinda messy. That’s something you probably wouldn’t ever notice unless you rip it, I guess. I just left the rest as one big chunk and reproduced the obviously wrong tracklist as is. If anybody cares to clear things up, drop us a line.

Go to HY’s Antithesis blog and get some more CCM!

CCM-Side:
Voice of the Blood / Barbed Wire World.mp3
(Right to be)Italian.mp3
Nation on Fire.mp3
Envy (I’m a Mess).mp3
Foe or Friend.mp3
)We’re the) Juvenile Delinquency.mp3
Work (means Death).mp3
400 Fascists (in Town tonite).mp3
Rest: Best Paty ever - No Bore // Alkool // (Everyday’s a) Reagan Day // Bendix Power - Secret Hate // Addicition // Camp Darby Blues / Any Sacrifice.mp3

I REFUSE IT!-Side:
Nuove del Fronte.mp3
Chocu Umeret.mp3
Fall down.mp3
Jospehine (The Camel Girl).mp3
Sacrifici Umani.mp3
Mannikin.mp3
Spread of Disease.mp3
Chocu Umeret II.mp3

CHEETAH CHROME MOTHERFUCKERS- Furious Party 7"EP (Belfagor Records, Italy, 1985)

The scariest band that the Italian HC frenzy of 80s spat out was CHEETAH CHROME MOTHERFUCKERS. Especially due to the bands (the singers, Syd) bloody live shows, it’s common to hear that CCM were the “italian Germs”. That is, of course, bollocks.

The first 7″, released in late 1981 with a pressing of only 400 copies (if memory serves), was extremely hard to find until the 90s, when with the general price explosion for Punk records, dozens of stock copies surfaced. Said 7″ was recorded on a tape recorder or something, without absolutely no post-production whatsoever and sounded like your average highschool band’s first practice tape. More experienced would of course hear out the interesting song structures and a wild energy that didn’t simply come from the poor live recording.

The band’s other outputs, cassette tapes (one of them pressed onto vinyl in the mid 80s - the legendary CCM / I REFUSE IT! split LP), this 7″ and the weird, maybe a bit overdone “Into the Void” LP sounded much, much better. It’s safe to say that CCM were capable of developping a very unique sound.

On this slab, recorded in the end of 1984 and released shortly after, quite some barriers are taken down. Extremely heavy sounding, with short riffs of typical metal sort and very fragmented song structes make it difficult to really get into this - for some people. I’ve always been fascinated by CCM and the feeling of total desperation and coldness this band is able to stimuly. Especially on the epic “Frustration” song, where Syd’s vocals are just over the top, insane screaming.

Feel kinda sorry that this scratchy old vinyl of mine will start floating around now, but I think part of is due to an extremely cheap pressing anyway.

Frustration II / Frustration I.mp3
Easy Targets.mp3
Furious Party.mp3

ALLEY CATS- Nothing means nothing anymore 7" (Dangerhouse Records, USA, 1978)

Classic L.A. Punk on the label: ALLEY CATS 7″ has only one flaw and that is major: It’s too damn short.
Both tracks have the good ol’ rock’n'roll vibe, delivered with a punch, thanks to the drummer and the bassist. And, okay, the guitarist and vocalist too. And the production. And the roman empire.

And always remember: When “Nothing means nothing anymore”, then everything means something. Were the ALLEY CATS one of the very few popular music groups who actually understood, what Nietzsche meant with “Nihilism”? Most likely, even if unconciously so.
Pictured is the rare “sofa” sleeve variation. Check out the dude with the moustache.

Nothing means nothing anymore.mp3
Give me a little Pain.mp3

PAUL CHAIN VIOLET THEATRE- Detaching from Satan 12"EP (Minotauro Records, Italy, 1984)

Post numba 200 is approaching quickly, and since I once said to myself, that this would be the end for Goodbadmusic, it’s time to unleash the very very best while there’s still time.

There must be something terribly wrong with things in general, down there in Italy. PAUL CHAIN (born Paolo Catena) was founding member of DEATH S.S., one of the bands that I truely truely truely truely consider GENIUS. Luckily, when DEATH S.S. split up, it wasn’t the end, cause what madman PAUL CHAIN delivered afterwards and ever since, in an uncountable amount of records, is one of a kind and of the same quality. It’s even save to say that PAUL CHAIN carried on the torch of DEATH S.S. while the band under the same name terribly degenerated after Paul’s split. And this, you guessed it, is his first and best effort.

Singing in a language that doesn’t exist (the inlet says “it’s purely phonetic), this man manages to combine the over-sweetness and rottenness of southern italian religiosity with riffs that have to be heard to be believed. Not too much metal wanking here, just totally out in space leads and an aura that weighs a fucking ton. This record IS depressing and it’s like somebody drags you into an icecold bath during the songs. Fuck me Jesus, I could go on and find metaphors for how “Detaching from Satan” works on me forever and ever. Have you ever heard such a Dante-esque metal record? This is not of this earth. The only complaint I have that his is just a 12″ and not of the playing time of the boxsets Chain later released (one was a totally twisted opera!).
I remember how I kept writing letters to Paul Chain, without ever hearing back from him. And I mean, I even made Kurt from Siege respond me back in the day - but Paul Chain? No way. Too cool to answer fan mail. I follow that formula too now.

If you think a “punk” (people in their 40s with a goood income) shouldn’t listen to metal cuz it’s just not okay or something, then please leave this blog at once and never come back. Thank you.

To my german speaking readers: I strongly suggest to read Peter Winkler’s “Friedhof der bitteren Orangen” ["Cemetary of the bitter oranges"] while playing this (don’t know whether the book’s been translated into english or other non-civilized languages).

More stories about DEATTH S.S. and how “Detaching from Satan” helped me to pull more than one girl between my sheets of ecstasy (as the NEON HEARTS call it) over the past years, when I post DEATH S.S. withdrawn 7″ “Evil Metal”.

I’ve taken the song titles and their order as it’s on the cover and labels. It’s kinda weird cuz I swear I hear “Voyage to Hell” in the refrain of “Occultism” and so on. Anybody got the CD reissue of this? How’s it there?
Occultism.mp3
Voyage to Hell.mp3
Armageddow [sic].mp3
17 Day.mp3

PS: Have you looked at Paul Chain’s photograph on the record cover? Know what I mean?