Good bad Music for bad, bad Times!

CRIPPLED YOUTH- Join the Fight 7″EP (New Beginning Records, USA, 1986)

CrippledYouth_frontCrippledYouth_backCrippledYouth_lyricsaCrippledYouth_vinylaCrucialYouth_vinylbAfter the youngest band in Hardcore, here’s another band full of youngsters. It’d be so easy to slag off CRIPPLED YOUTH mercilessly – not only for the fact that after this they became BOLD, one of these countless post-Hardcore bands that give me the creeps. Just check out the lyrics we’ve got here like the immortal words in “Positive Scene”: “I don’t know what your scene’s like, or if it’s really cool, I just know what my scene’s like and I think it fucking rules” – no wonder bands like CRUCIAL YOUTH took the piss out of these posi-bands and even the german SPERMBIRDS had a song called “No Punks in K-Town” (on their fabulous “Something to prove” LP from 1987) that was directly aimed at Crippled Youth and what they stood for – things had begun to drastically change. suddenly, you had all these insecure kids singing about friendship, walking tall and respect. Scary shit, man.

But apart from the obvious sillyness, and that could have been one of the main motiviations for me to post this any other day than today, I was really surprised when playing “Join the Fight”. Some of the songs in their naivety didn’t sound half as bad as I had remembered them. There’s something really driving in the music and that has a lot to do with the simple but effective hammering of the skins. I love that. It’s obvious that YOUTH OF TODAY were the main influence for CRIPPLED YOUTH in every aspect.

I had this EP already sorted out to be sold with hundreds of other records. But after ripping it and writing this little piece, I realized that it’s still somehow dear to me. Maybe as a curiosity too. I mean, maybe that’s the only way to take Boyscout Hardcore.
Depicted is the second press, by the way. Funny, how the printers forgot to remove their I-dunno-how-you-call-these-scales before making the offset film.

Walk tall, walk straight.mp3
Positive Scene.mp3
Can’t you see.mp3
Not just Talk.mp3
Respect.mp3
Choice.mp3
Stand together.mp3
K-Town Mosh Crew.mp3
United we stand.mp3

IRON MAIDEN- Live at the Beat Club / Bremen, Germany, April 1981

Just found this on youtube and had a massive flashback. When this was aired in 1981, I had a cassette recorder standing on a chair, in front of the ugly, massive brown TV set. My family had to sit quietly in the background on the couch, while I sat next to the TV on the floor, headbanging gently. Every now and then, you’d hear my father or my older brother complaining about the noise, followed by a “ssshhhh!” coming from my mother.

The complete show is on youtube, the above is just the beginning. Too bad the moderation piece has been cut out.

MAD SOCIETY- s/t 7″EP (Hit & Run Records, USA, 1981)

MadSociety_frontMadSociety_backMadSociety_vinylaMadSociety_vinylbSpeaking of good bad music: Imagine a bunch of (pre)-pubertal kids dressing up, sneaking into their older brothers Hardcore band practice room and start imitating what they just heard. That’s more or less what you get here, including songs about Riot Squads and Napalm.
MAD SOCIETY too came from L.A., just like SIN 34. This EP and some tracks on “You can’t argue with success” is about what they left behind. I mean, it’s not really a record you’d flip out over, but as a document of time and a curiosity it’s really neat.Check the credits on the back side and the dedication to Tom Waits, Jello Biafra and (in capitals) Rodney Bingenheimer. Who was really behind this kids?
As cute as this is, it’s also quite bizarre. Who can tell us more about this band and its history?

This EP doesn’t show up too often, so enjoy the probably youngest Hardcore band ever. Found this in a thrift store in NJ in summer of 1986. Played it maybe 10 times in all these years.

Riot Squad.mp3
Skitz.mp3
Napalm.mp3
Termanally.mp3
Little Devil.mp3

SIN 34- Die laughing 7″EP (Spinhead Records, USA, 1982)

Sin34_frontSin34_backSin34_insertAnother one of these almost forgotten early Hardcore bands. SIN 34 hailed from L.A. and apart from this and some compilation appearances also had a great 12″EP entitled “Do you feel safe?”, which was also selfproduced.
They were also one of the not too many female fronted Hardcore bands. Check out the photo of Julie on the back of the sleeve – ain’t she just great how she’s not trying to look cool or anything?! SIN 34 may not have belonged to the “a-series” of bands, but I think this EP stands the test of time with flying colors. That has much to do with the really powerful sound we have here: A thick, present bass sound and a serious kick drum both spice up these three chord-mayhem greatly. My fave songs would be on the a-side, with “American America” being one of the tracks you’d find on every mixtape I compiled in the 80s. And the genuine good bad music feeling is to be found during the song “12 Hour Trip” on the flip, during which the band can’t keep up the rhythm and everything is falling apart for a moment. Wonderful!

American America.mp3
Children shall not be heard.mp3
The Uniform.mp3
12 Hour Trip.mp3
Join the Race.mp3

WRETCHED- La tua Morte non aspetta Mini-LP (Chaos Produzioni, Italy, 1986)

Wretched_latuamorteWretched_latuamorte_backHow foolish I was! When one of my most beloved Hardcore bands released this 2nd 12″ record, I didn’t like it at all. Not only I didn’t – everybody said (and says) that this Mini-LP sounds “Metal” (which of course wouldn’t be no crime), but that’s bullshit. The difference from the band’s wilder days is obviously the higher production standard, best heard in the drum sound: In its dominance and with the reverb, it sounds almost a bit hardrockish, but that’s it as far as the metal thing goes. Also, the strings were downtuned, but that only results in a fuller sound, not unlike that of later CCM. Apart from that, this mii-album is not too far off stylisticly of the legendary “Libero di vivere, Libero di morire” LP. So all in all, you have the same desparate gut feeling of italian Hardcore. Gianmario, the singer has a way to put words into singing, that’s really unique. What power comes through, even when he holds himself back!

Two first two songs are maybe the best here. Especially “Sezionati vivi” (an anti-vivisection song), really haunts you with a gloomy guitar riffs, almost atonal, just what WRETCHED were always unbeaten in. The following “Verso il tuo Orizzonte” is a hectic thrash song, again spiced up by the use of some genre-untypical guitar bits. On the b-side, you get three more songs, of which “Vivere nell’ Incubo” stands out, not only with its AMEBIX-esque intro part.
All in all a really compact piece of work, ringing the bells of death for the fading Hardcore movement. Things had come to an end and this what this EP breathes.

As always, this slab came with a handful of inserts.

Senti il richiamo.mp3
Sezionati vivi (nei Laboratori della Morte).mp3
Verso il tuo Orrizonte.mp3
Angosce / Pensieri.mp3
Vivere nell’ Incubo.mp3
La tua Morte non aspetta.mp3

V/A NICE AND LOUD- 7″EP Compilation (Big City Records, USA, 1984)

NiceLoud_frontNiceLoud_backNiceLoud_insertNiceLoud_insert2Long time no see. Things have been rather busy here the past two weeks and it’s not over yet. Apologies for the short text.

The third of the five Big City comps features nothing but hits. The a-side has three NY bands of which the first two are the best. NO CONTROL start off with a really powerful song called “Johny” and pleasant female vocals, followed by a band which always got overlooked a bit – DISORDERLY CONDUCT. “Don’t talk about the weather, if you got nothing to say”, the opening lines, remind you of a certain Bob Dylan song and a group of militants in the U.S. and indeed, D.C.’s song “Enemy” deals with anarchy. ULTRA VIOLENCE deliver the last of the three tunes, a hectic, kinda sloppy thrasher with a so called mosh part. The song sounds better now than it did so long ago, methinks. At least to my ears. Flip the platter over and the Connecticut side blasts off with “The Scream” from REFLEX FROM PAIN. Great as always, way above average HC of the finest sort! Next up is VATICAN COMMANDOS, a band many know for their part time singer Moby who became a real dick musically (haha, sorry, that was cheap, but I couldn’t hold myself back). “No more us and them” is a good song – almost as good as the stuff they cranked out on that wonderful “Point me to the End” 12″. CIA do one of their slower numbers, “I hate the Radio” and I guess it’s safe to say that this is a real hit of a song.

NO CONTROL: Johnny.mp3
DISORDERLY CONDUCT: Enemy.mp3
ULTRA VIOLENCE: No help (from up above).mp3
REFLEX FROM PAIN: The Scream.mp3
VATICAN COMMANDOS: No more us and them.mp3
C.I.A.: I hate the Radio.mp3

GENERICS- Societal Hemhorrage 7″EP (selfproduced, Canada, 1985)

generics_frontgenerics_backThought it was about time for a repost of this criminally undererstimated little pearl. This could widely  be considered a classic and I will never understand why it isn’t. Even if you did first time around – give this another listen. All freshly re-ripped with love. First published Aug 3 2006.

Recorded in 1983 but due to the tragic death of the singer Marc Sahrmann not released until early 1985, this is one of the records that are just too great for words. Apparently very much on the anarcho-side of things as far as lyrics and graphics go, the music is a very unique mixture of saxophone-driven punk with out-in-space guitars and the vehemence of Hardcore. I really have never heard anything like this before! Totally underrated, obscured, forgotten – hopefully this may help in changing that.

Collectors notice: the original press was either 400 or 500 copies (that’s what my sources say). In the mid 90’s, some very nice chap from Germany made a 300 copies bootleg of this and that was a true labour of love, complete with heavy stock cover (the original has a very thin paper foldout) and all. I wish I hadn’t sold my copy of it!

Due to the greatness and rarity of this gem, I’m making it fully accessible. Put your feet up and get ready for some serious mind-bogglin’ and emotional overflow:

Someday.mp3
Freedom Six Feet Down.mp3
Outcasts Of Society.mp3
There Are No Virgins Anymore.mp3

Postscriptum: Oh yes, the crackling. Well, this is what happens if you have a professional jazz fan with his professional superduper record cleaning machine taking care of your worthless punk shit. It cost me 3 $.

V/A DIE DEUTSCHEN KOMMEN- Compilation LP (Rock-O-Rama, Germany, 1982)

img_0349img_0350img_0351Classic, notorious and hard to find compilation album on the controversial Rockorama label.
FASAGA open up with four great, funny songs: Simple music totally dominated by the singing. In this case, the melodic and wacky vocals sound heavily inspired by the Neue Deutsche Welle thing that was on its peak in 1982. It adds a weird kind of feeling. After this, DER FLUCH deliver another 4 songs of somehow pretentious but spooky music. Very simple again and again a vocalist of presence and strange lyrics. COTZBROCKEN are rumored to be the dumbest Punk band to ever come out of Germany. In fact, the lyrics are so dumb it hurts, but I like the aggression of the anti-hippy song “Kiffer”. Next up: OHL. And bloody hell, do destroy! Aggressive and abrassive, forceful and fierce. That’s how I love it. “Ich sah die Kirchen brennen, ich sah den Papst weinen” – “I saw churches burning, I saw the Pope weeping”: That’s how the second OHL song starts off and what a scorcher that one is! The best this controversial band ever recorded. I remember in 1982, some of the more right wing Metalheads got into OHL. Amadeus was one of them, a skinny guy who got a lot of shit for his dumb parents name choice, taped me some OHL once and I immediately deleted it, I hated it so much. STOSSTRUPP close the album with three very rough and aggressive songs.
Each 500 made on pink and black vinyl. Bootleged recently.

Download the entire «Die Deutschen kommen» compilation ripped with love here. The folder includes the booklet.

HELMET- Born annoying, b/w Rumble 7″ (Amphetamine Reptile Records, USA, 1989)

Putting the record straight: As some may have seen, a little controversy had arisen in the past few weeks. Nothing serious and nothing too important, just the usual squabbling that is oh-so common in certain subcultures. Some guy asked me to exchange links. I lookd at his blog and didn’t like it. First off, I have a different point of view when it comes to the how-abouts of music blogging. My own feelings towards blogging and the download mentality that often comes along with it are a bit confused. This mentality has practically ruined the music business (and the “business”) and is currently resulting in a rather flat and dull perception of music. As much as I love the possibilities of today’s technology, as much I’m convinced that we all have not yet found a proper way of making good use of it. I could write more about this, but that’s not really the point here. The point is that I don’t find the idea of what I call consumerist blogs too convincing. Said blog was not exactly one of these pitiful full-download-of-everything battlefields, but still not my cup of tea. The other point was that he had used some rips that I made for this blog. Of course, you can’t stop anybody from doing so; after all, it’s not my music (well, I could say that in the case of DAMAGE, I got permission for the use of the complete material recorded from the band directly – but that’s not really my point. It’s about music finding people who enjoy it and not only those who would just fill up their harddrives with music they will never even have the chance of carefully listening to when all they do is download and download). And yeah, fuck it, if people use my rips and use them without any sort of credit, I think that says a lot about them and those downloaders who wouldn’t care about such aspects of music. You have to be realistic – nobody can change this. These people have always been the vast majority. I did however understand that the blog guy used some of my rips without knowing that they were mine – fair enough, that happens.

I receive link requests four or five times a week. Would I exchange links with everybody, I’d have an endless list of links. And you know it: These link-cemetaries are completely use- and meaningless. Whatever I link, I link with a certain respect. That makes every link worthwhile in my eyes. So guess what happens in such a situation with a link request like the one I’m talking about here: I’d turn it down for many good reasons.
That guy from said blog could just have accepted my decision. The seting was clear and easy: He wanted something from me and used my work and not the other way round. I didn’t ask him to leave asskissing comments as he did on goodbadmusic, but that’s what he did. I knew what would come next: Of course, as it goes with some people, frustration arose on his side. He wanted my attention and he didn’t get it, so it went on as it always does: It ended up with some harsh words on his blog, telling me to “fuck off” etc. – as if I had wanted something from him. Sure, this is rather funny a behaviour since the pièce de resistance is a bit of music and some link he didn’t get, all requests from one side and a totally indifferent other side (which would be mine). But some people, however old they may be, can not take no for an answer. So they do what little they can. I had tears in my eyes from laughing when I read that little “fuck off” piece. So little self-esteem, that must be a tough life. But let’s not give them too much attention; after all, that’s what probably had spoiled the kid in the first place.

So once and for all: I decide whether I exchange a link or not. I think (without having talked to him about this) Peter from KBD has the same policy – just look at his link list. It’s short and it’s great. Mine’s a bit longer but it won’t be an endless blogroll of these very important people out there. I’m sure that there are many, many other great and greater blogs around there that I haven’t even seen, but if one of them wants to me to put up a link, I will of course not say no. It’s just a certain type of people (and believe me, I’ve seen plenty of them in the past years) that I can do without. They do their thing for a shot while and then disappear from the radars. You will see.

helmet_fronthelmet_backSo what could be better now than the first HELMET single (”Born annoying”, you know). I’ve never been a lover of the noise rock thing and in fact, when in 89/90 the whole noise rock & Nirvana wave came along and drowned the 80s for good, I learned to seriously detest these scenes. Not the music or the musicians – the trendyness put me off. Maybe I never understood what they wanted and never really felt the “noise” in noise rock, but it sure was something new and fresh in a way. And soon it had become just another fad, but by then, I had grown too old to get the bug from yet another one. For good reason as it seems, I kept the first few HELMET records and when I digitized this, I enjoyed it a lot. Massive power and that, to my ears, kinda annoying rhythm section (yes, I’m a rocker, I confess). Nothing HELMET ever did seems to be as great as the song “Sinatra” on the first LP, but this is neat too! Enjoy.

Born annoying.mp3
Rumble.mp3

BASTA- Non posso sopportare questa sporca Situazione 7″EP (Basta Records, Italy, 1982)

basta_frontbasta_backbasta_vinylabasta_vinylbI heard your desperate call and now here’s some more Oi-Punk from Italy. BASTA, that’s what I heard, showed a bit more affection for the rightwing scene. Well, well, well. Don’t know much more about BASTA and quite frankly: I never understood the whole concept of Oi and how this was supposed to be going together with Punk and all that. Some has more about the specific italian scene of the early 80s?

Musically, it’s a bit tougher than ROUGH though less Hardcore-ish. A stronger UK-influence is there, but still, I think this is a neat little stomper. Not quite as catchy as the last one, but with some nice moments (and one helluva drummer again) and a powerful singer. Lyrically, the topic of drug use oopsy abuse seems to be the main issue, as well as the usual “I’ll never change”-stuff.

If this going to be such a huge success like the last Oi post, I’m gonna pull out some more of these little gemms from my vaults of horror, haha.
Nessun Pudore.mp3
Disertare.mp3
Non cambiero mai.mp3
Basta con la Polvere.mp3
Caos.mp3